Opening Act: Brontae Hunter
Desboro Music Hall 2017 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
James Hill & Anne Janelle
Four strings and a favourite chocolate bar: that’s all James Hill – “possibly the best ukulele player in the world” (Waikato Times) – and Anne Janelle – “a cellist of true beauty” (Ottawa Citizen) – had in common when they first met. It was more than enough. Today, they’re an award-winning, “utterly world-class” singer-songwriter-ukulele-cello duo (Paul Symes, The Blacksheep Inn). It’s true: opposites attract. James grew up playing folk, jazz and blues on his ukulele while Anne was exclusively a classical cellist. But the pair’s differences quickly became their biggest asset. The uke is high, the cello is low; the uke plays short notes, the cello long bow strokes; the uke is all about strumming while the cello radiates melody. Like shadows and light in an old photograph, these contrasts are complementary. “We’re like a pair of dancers who can’t step on each other’s feet,” jokes James. Flash back to 2008. Anne was working on her Master’s degree in cello performance at the University of Ottawa while James was wowing crowds with his ukulele wizardry at festivals across North America, on a mission “to prove beyond the shadow of a doubt that in the right hands the uke can be a formidable axe” (Ann Arbor News). And then, one email changed the course of their musical lives. James and Anne were selected to record a track for a compilation album called Classical Ukulele for release in Japan. “If it weren’t for that recording project,” confides Anne, “I don’t think we ever would have started playing together. It just wouldn’t have occurred to us.” Often the most obvious thing is the thing that’s most easily overlooked. “We chose Schubert’s Ave Maria and arranged it for ukulele and cello. We recorded it in a tiny practise cubicle at the university!” The result? “Absolutely brilliant” (The Folk Diary). Naturally the next step was to release a duo album and, so, True Love Don’t Weep was born. The album garnered a Canadian Folk Music Award for Best Traditional Album of the Year in 2009. A mixture of traditional tunes with “fresh vitality” (Country Music People) and, for the first time, original songs, True Love Don’t Weep showcased the duo’s ability “to capture the soul of a song.” (Folk World). By this time, Anne had completed her degree and the pair were performing regularly, bringing their “instinctive musical interaction and contagious enthusiasm” (Ottawa Citizen) to audiences across five continents. Since True Love Don’t Weep, James and Anne have each released two solo albums each (James’ Man with a Love Song and The Old Silo; Anne’s Beauty Remains and So Long at the Fair) and toured in over 15 countries, making their mark not only as accomplished instrumentalists but also as some of the finest songwriters of their generation. 2016 marks the return of the duo in full force. “We walked our separate musical paths for a while, but I think we both came to realize, each in our own way, that the duo is our strongest musical offering. There is passion, there is diversity, there are many levels with which an audience can engage with our music when it’s not one or the other but both of us.” reveals Anne. Together, James and Anne craft a sound that is intricate, enchanting and engaging: “a crystal clear sound filled with warmth” (Bob Mersereau, CBC). In concert, James is “a dazzling performer with a genial, low-key sense of humour” (Edmonton Journal) and Anne brings her “gorgeous syrupy voice” (Acoustic Magazine) to songs that are “inventive, entertaining, beautifully written and brilliantly performed” (R2 Magazine). In short, a night out with James Hill & Anne Janelle is “the perfect evening of tunes, stories and musical virtuosity” (Wellington Dominion-Post).
James & Anne Website
James & Anne Facebook
James & Anne Twitter
James and Anne Photos by Ed Boulter Photography
Brontae Hunter
Brontae Hunter is a performing artist who currently lives in Stratford, Ontario. Although she concentrates on acting, she is passionate about the live arts and what they bring to our quickly evolving culture. Previous projects she is most proud of include directing Innocence Lost: a play about Steven Truscott, producing and performing in The Women of Broadway and Beyond in Stratford’s factory 163, playing at Summerfolk along with the youth discoveries, and curating the performance collective For Our Stolen Sisters to raise funds and awareness for the Missing and Murdered Indigenous Woman crisis. In the fall, she plans to attend a conservatory style acting program. She looks forward to pursuing a career, in hopes of enriching the lives of others and starting important conversations through the medium of the performing arts. Check out her video and an original song on Facebook
Opening Act: Carter and Ben
Desboro Music Hall 2017 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
The Redhill Valleys
The Redhill Valleys are an original 3-piece Folk/Rock group from Hamilton, Ontario. Rooted by their influences in southern rock, acoustic Americana and soul, the newly formed trio are forging a musical path all their own. The collaboration of guitarist Danielle Beaudin, bassist Chelsea McWilliams and drummer Tim Allard is built upon a common dedication to the craft of songwriting, unifying the poetic ease of their lyrics with unforgettable melodies, harmonies and guitar riffs.
The path to now began when bassist Chelsea McWilliams and guitarist Danielle Beaudin hit the open road for Nashville, Tennessee. They collaborated on their newly developed material and it wasn’t long before the pair found their rhythm. Drummer Tim Allard joined shortly after their return from the Music City, and it became undeniable that something unique was under way as their individual sounds came together as one. They didn’t know it yet, but this was the beginning of The Redhill Valleys.
The trio dug their heels in over the following year, polishing their live material and playing the local circuit. Songs worthy of a full-length album were quickly coming to life, and a curious hum among the Hamilton music scene was building around their folk, roots, and rock inspired sound. Their collaborative influences brought catchy country choruses, as heard on their new single titled “Wrong Way Turns Out Right”, a Canadiana inspired folk ballad called “Parry Sound”, and unapologetic toe-tappin’ rock via tunes such as “You Can’t Be Alone” and “Ragged and Run Down”. Their set-list crossed genres and touched on the hearts of true music lovers.
After a successful fundraiser, the group was able to raise money to begin the recording process. Their debut album was recorded at Westmoreland Recording Studios in Hamilton, Ontario with producer Carl Jennings. The 12-tracks feature McWilliams, Beaudin and Allard trading off lead vocals, which leads the listener on a multifaceted and deeply rich journey. In the studio, the trio honed in on their respected and multi-instrumental abilities to fine tune and translate the energy of their live performances into the record. With the help of producer Jennings, their sound became distinct and the songs unforgettable.
Released on April 26th 2016, the album is now available for purchase via The Redhill Valleys store and download on iTunes and Bandcamp, and streaming on SoundCloud, Spotify, Apple Music and more!
Redhill Valleys Website
Redhill Valleys Facebook
Redhill Valleys Twitter
Redhill Valleys Instagram
Carter and Ben
This duo is known to captivate their audiences with their dexterity, sincerity, and organic playing style. They take the defining aspects of blues and folk and approach them from different angles resulting in a fresh interpretation of two great genres. Their songwriting has been described as thoughtful, soulful, engaging.
In August of 2016, Carter Rolland and Ben Turcotte released their debut album “Basement Folk”.
Opening Act: John Muirhead
Desboro Music Hall 2018 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets:Regular: $25
DYLAN MENZIE
The fact that PEI’s Dylan Menzie his own harshest critic is simultaneously a struggle and the very trait that’s propelled him up the ranks of the Canadian music scene, and considering all he’s accomplished in a relatively short amount of time, it’s clear that stagnation just isn’t his strong suit.
With a sprawling vocal range and compelling approach to composition, Menzie made an indelible mark in the talent-rich Atlantic Canadian music market with his debut EP, Heather Avenue, in 2013. Its success spurred high-profile performances throughout the Maritimes, including opening slots for City & Colour and Ron Sexsmith.
In 2016, Menzie was a finalist in CBC’s annual Searchlight competition on the back of his breakout single, “Kenya,” which then spent two weeks at number one on CBC Radio 2’s Top 20 leading up to the release of his 2016 album Adolescent Nature.
Drawing clear influence from the likes of My Morning Jacket, Fleet Foxes, Radiohead, and Joel Plaskett without being derivative of any one, the quality of these songs heavily belies the young artist’s age.
Since Adolescent Nature’s release, Menzie has been in even higher demand, earning one of two spots in the inaugural East Meets West collaboration between the ECMAs and BreakOutWest as well as slots at prestigious events like the Edmonton Folk Festival, Canadian Music Week, Folk Alliance International, and others.
But even as excitement behind his breakthrough continues to mount, Menzie already has his sights set on what’s next, and if he continues on his current trajectory of each new song, each new release eclipsing its predecessor, he’ll soon be impossible to ignore.
Everybody has an opinion – especially when it comes to music – but few are as critical as Dylan Menzie, and that’s worked out for him pretty well so far.
Dylan Menzie Website
Dylan Menzie Facebook
Dylan Menzie Twitter
Dylan Menzie Instagram
JOHN MUIRHEAD
With stories and songs that kindle late-night Canadian campfires, John Muirhead’s heartfelt indie-folk sound will move you in more ways than one. From fingerpicked folk confessionals to upbeat roots-rock jams, John’s eclectic song collection reflects the highs and lows of love, ambition, and being a young travelling musician. While he is based in London, ON, John is a a troubadour by nature and has played in living rooms, theatres, moving trains, and folk festival stages across Canada.
With influences including Joel Plaskett, Frank Turner, The Weakerthans, and Julien Baker, John’s primary goal is to change the lives of listeners the way music has changed his. In the two years since the release of his debut EP Yesterday’s Smile, John has been nominated for a Canadian Folk Music Award, given an honourable mention in the Canadian Songwriting Competition, graced the stages of legendary festivals including The Winnipeg Folk Festival and Home County Music and Arts Festival, and released a follow-up EP, Foundational.
On November 9th 2018, John released a brand new single titled I Can Sleep Anywhere, an appreciate, eyes-wide-open ode to roughing it on the road as an indie musician. The song was met by positive reviews by critics and featured on a variety of CBC programs, as well as SiriusXM and community radio across Canada. In February 2019 John will embark on the “Song Circle” Tour with fellow London based act Ben Heffernan with the goal of collaborating with local artists from across the country in songwriter’s circles as well as showcasing at Folk Alliance International in Montreal. This will be followed by tours of the West coast and East coast of Canada
John Muirhead Website
John Muirhead Facebook
John Muirhead Twitter
John Muirhead Instagram