Main Act: My Sweet Patootie
Opening Act: Alicia Toner
Desboro Music Hall 2017 Concert Series
All Ages
Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance tickets)
My Sweet Patootie is contemporary roots and ragtime at its best; bringing tight harmonies, monstrous guitar, sizzling fiddle and percussion together in one perfect package. Founded in 2007 by Canadian Folk Music Award winners Sandra Swannell and Terry Young, the trio has a growing international reputation. From original swing to funky fiddle-tune arrangements to exquisite ballads, they deliver a must-see show that Driftwood Magazine describes as “two parts exemplary musicianship, one part vaudeville comedy”.
Their vintage-style song writing is rooted in folk, americana and jazz; heavily influenced by the likes of Chet Atkins, Lenny Breau, Les Paul & Mary Ford and the Andrews Sisters. Throw in a penchant for light-hearted satire and their love of artists like Patsy Cline and Hank Williams and you get a sound that Young likes to call “Green Acres for the New Millennium”.
Terry Young is described by Penguin Eggs as an “acoustic guitar god”. BBC critic James Harrox calls his playing “virtuosic”, while FATEA magazine describes it as “jaw dropping”. He has taught advanced finger-style guitar clinics and has written about his technique for Chicago’s Plank Road Folk Music Society Magazine. He is a talented multi-instrumentalist who toured from 1999 – 2009 with the group Tanglefoot; performing on guitar, mandolin, banjo and pennywhistle. Terry is a classically trained singer and holds a Bachelor of Music from the University of Western Ontario.
Sandra Swannell is a classically trained violinist/ violist, but her style owes much more to the influences of Joe Venuti and Stephane Grappelli. Her diverse musical background ranges from recording with Canada’s legendary Stompin’ Tom Connors to writing a series of musical sketches for string orchestra. She was the principal violist of the Georgian Bay Symphony and fronted the Celtic art-rock band The Shards before joining the group Tanglefoot in 2005. Sandra has taught violin/ viola clinics for festivals, schools, community orchestras for many years as well as her own private studio.
With the departure of group’s original drummer Bradford Nowak in 2015, My Sweet Patootie became a truly international band with Welsh percussionist Anthony Thickett joining for UK tours, and Canadian Paul Clifford for North American tours.
Paul Clifford is a drummer, percussionist, songwriter and producer now based in Ontario. Musically growing up on the west coast of Canada, Paul played in various jazz/ blues bands, theatre productions, reggae bands, and toured/ recorded with the Vancouver folk-roots ensemble The Be Good Tanyas. Music education includes the many pilgrimages to New Orleans, Cuba, jazz studies on Vancouver Island, busking the streets of Europe with his tiny drum kit, and years of touring/ recording with the north american roots trio Groanbox. Based in the English countryside of Kent for ten years, Paul worked as a record producer for Smugglers Records, was the musical director for the vaudevillian theatre collective The Private Widdle Social Club, and kept active in the local and London blues scenes. His education continues.
The band’s name “My Sweet Patootie” is a slang term of endearment which became popular in the 1920s meaning a “hot dame” or a “sassy sweetheart”. Several ragtime titles from the jazz-age reference the expression, as do the lyrics of “Everybody Loves My Baby” (1924) by Spencer Williams and Jack Palmer. More significantly for Young and Swannell is “Sweet Patootie Blues” (1928) by Arthur “Blind” Blake, who was well known for his complex and intricate finger picking. The name was chosen to capture the vintage flavour of their music as well as the satirical edge in much of their song writing.
MSP released their third album “Good Day” in May of 2013, their first full length album as a trio. Peter Cowley’s review in FATEA magazine describes it as “infectious good humour and superb playing and singing, a delightful combination of jazzy guitar, Hot Club violin, luscious strings and horns and harmony vocals”. The CD was produced, arranged, engineered and mastered by Young & Swannell at their own Nowheresville Studio located in an historic one-room school house near Meaford, Ontario. “Good Day” is their most ambitious project to date and features each member’s skills as multi-instrumentalists, yet still remains true to their live sound as a trio. Other recordings are Patootified!”(2010, self produced) and “Nowheresville” (2008, produced by Canadian gospel-blues legend Ken Whiteley).
The trio has performed thousands of shows including theatres, festivals and clubs in Canada (Ontario, Manitoba and British Colombia), the United States from the eastern Seaboard to the Midwest, and the United Kingdom. My Sweet Patootie is played regularly on CBC, NPR, and BBC Radio. They have performed live-to-air concerts on; the nationally-syndicated WFMT “Folkstage” in Chicago, IL; WVBR’s “Bound for Glory” in Ithaca, NY; and BBC’s “The Drift” in Blackburn, Lancashire.
In 2014 My Sweet Patootie performed at the Mariposa Folk Festival and were guest artists with the Georgian Bay Symphony, performing orchestrated versions of their original songs. In 2015 they launched their fifth 2 month-long tour of England and Scotland and their eighth North American tour.
My Sweet Patootie Website
My Sweet Patootie Facebook
My Sweet Patootie Twitter
My Sweet Patootie Photos by Wayne Simpson
A critically acclaimed singer, fiddler, actor, musician, Alicia Toner has been wowing audiences with her diverse skill set for years. Classically trained in violin and voice with a diploma in Music Theatre-Performance, this unique performerʼs journey has taken her all over Canada and to several European countries.
Born and raised in Fredericton, NB, she caught the performing bug early, touring with the New Brunswick Youth Orchestra, with whom she played Carnegie Hall, and singing/ playing fiddle in the Celtic/folk quartet HATband. Since moving to Toronto 10 years ago and studying Music Theatre, Alicia has appeared in over 30 productions across Canada and Europe including the Dora Award Winning production of Assassins(TIFT/Birdland) and the hit musical Once(Mirvish) that brought home many Doras and much critical acclaim. For the last four years, she has been a staple of the Charlottetown Festival, lending her incredibly versatile voice to roles such as Cinderella in Cinderella, as well as many featured vocalist roles. Most recently, she was seen in the wildly successful new Canadian Musical The Chasse Galerie.
An East Coaster at heart, Alicia felt the pull of the Maritimes and, in 2014, made Charlottetown her home. Since then, she has shifted her attention to her first love; music. In June of 2015, Alicia went into the studio with Stuart Cameron, Peter Fusco and Blake Manning to record her first four track EP. The following Spring, with the help of FACTOR Canada, she completed her full-length debut album “I Learned the Hard Way” to be released this June, 2017.
Alicia Toner Website
Alicia Toner Facebook
Alicia Toner Twitter
Opening Act: Doris Folkens
Desboro Music Hall 2018 Concert Series
**Please note this is a Friday concert (Friday June 1)**
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Limited Advance: $20, Regular: $25
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
OVER THE MOON
Canadian roots/swing duo Over The Moon‘s Suzanne Levesque and Craig Bignell are awarding multi-instrumentalists/vocalists that met, fell in love, got married and discovered their voices blend so well together that people often tear up upon hearing them sing.
Living on a ranch in the foothills of Alberta’s Rocky Mountains, it’s inevitable there will be a strong sense of place- and the rhythms of the land when you start to make music. When the couple released their debut album, the resonances were there for all to hear. reflecting the pulse of life, lived in a territory that is both dirt-hard rugged and beautiful.
Their music is a wild ride from 40’s sounding western swing and Appalachian old-time, to cowboy blues. Simple and sweet, all of their material has a common thread that speaks of the Canadian west and on their UK release, reviews were glowing. American Roots UK saying it was “Exceptional” and Country Music People adding “There’s so much to enjoy here.” The editor of Maverick Magazine told readers “You will love this” Elmore Magazine, New York “We knew we were on to something special”
Over the Moon Website
Over the Moon Facebook
Over the Moon Twitter
Over the Moon YouTube
DORIS FOLKENS
Born in Burlington, Ontario, Doris Folkens grew up playing a piano which survived the bombing of her grandmother’s house in Hamburg during WW2. She began playing guitar- a more portable instrument- during university. After graduating and settling into a health care career, she went on to study songwriting with Berklee College of Music, where she strengthened her skills at writing songs about family and community.
Her debut, old-time inspired album is produced by Toronto’s 7x Canadian Folk Music Award winning mandolinist, Andrew Collins, and arrives Spring 2018. Her music is already receiving recognition from the Ontario music scene- she’s the 2017 recipient of Folk Music Ontario’s “Songs from the Heart- Humorous” Award. A rare singer/songwriter, the vibrant narratives of her folk songs will evoke nostalgia for who you are and where you came from.
Doris Folkens Website
Doris Folkens Facebook
Doris Folkens Instagram
Doris Folkens YouTube
Desboro Music Hall 2018 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Limited Advance: $20, Regular: $25
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
PIPER HAYES
Piper Hayes is a Canadian folk pop singer-songwriter and social activist based in Hamilton, Ontario. She has toured her original music extensively across North America, Europe, the U.K., and Nepal. She teaches workshops on mental health, vocal empowerment, and songwriting all over the world. She often teams up with the Canadian Mental Health Association, using contact education to reduce stigma around mental illness. She has released two EPs, a live album and most recently a full-length album to much critical acclaim. She is a two time nominee of the Ontario Arts Council’s Colleen Peterson Songwriting Award in 2016 and 2017. Nowadays she performs, tours and writes with her partner Carson Ritcey-Thorpe. On December 8, 2017 Piper released her debut full-length album ‘Piper & Carson’, which is designed to be listened to start to finish. It is a compilation of intentioned tracks; a reflection of the couple’s last few years; and a moment in time. Recorded live off the floor at Thorpe’s Organics and produced by Chris Bartos.
Piper Hayes Website
Piper Hayes Facebook
Piper Hayes Instagram
Piper Hayes Twitter
PAT MALONEY
A true red and white travelling songwriter, Pat Maloney has performed a thousand times in the last few years all over Canada, the United Kingdom and the United States. He’s a casual strummer who sings in a rich baritone, stomping away and whistling like no other. Three full length albums deep, Pat’s catalogue is diverse in character & feel. A committed genre hopper, his music is inclusive and free of pretension. The one thing his songs have in common is that they all tell stories. Real stories, with real heart and a healthy sense of humour. His favourite bartender once said his voice makes her want to sip a nice bourbon and fall in love. He told her he would add that to his next bio.
Pat Maloney Website
Pat Maloney Facebook
Pat Maloney Instagram
Pat Maloney Twitter
JESSICA PEARSON & THE EAST WIND
After their first international tour of Ireland, release of their Debut EP ‘Grave and Garden Songs’ in July 2017 and summer tour across Ontario, Jessica Pearson and the East Wind show no sign of slowing down. This Folk Canadiana Trio from Ottawa have since taken the stage at JunoFest, RBC’s Bluesfest and Manitoulin Country Festival as well as played with Hillsburn, the East Pointers, Murder Murder and Ten Strings and a Goat Skin! Jessica Pearson and the East wind’s music infuses Americana and Celtic sounds into their folk roots story telling.
Recently signed with Willow Sound Records, Jessica Pearson and the East Wind’s dynamic live shows take you on a journey with heartwarming melodies, spirited story telling and haunting three part harmonies! The band is known for its strong audience engagement during shows and magnetic personality.
Jessica Pearson & the East Wind Website
Jessica Pearson & the East Wind Facebook
Jessica Pearson & the East Wind Instagram
Jessica Pearson & the East Wind Twitter
Opening Act: Dana Sipos
Desboro Music Hall 2018 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Limited Advance: $20, Regular: $25
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
DURHAM COUNTY POETS
The Durham County Poets are a lively and soulful group, who write and perform an eclectic blend of blues, folk and rock, with tinges of country, gospel and swing tossed in for good measure.
They are five seasoned musicians, all of whom are songwriters, who work together individually and collaboratively in composing their music. Delving into a variety of styles and genres, their musical influences include a broad range of artists. From The Band to Dire Straits, Leon Redbone to James Taylor and Neil Young, they have managed to put it all together to create their own musical style. The obvious joie de vivre expressed while performing together is reflected in the good-time feel that the band creates, which has been captivating their audiences consistently since their inception 6 years ago.
Fronted by Kevin Harvey, a self proclaimed blues crooner on lead vocals, The Durham County Poets also feature David Whyte on electric and acoustic guitars and vocals, Neil Elsmore on acoustic guitar and vocals, Carl Rufh on double bass and vocals and Rob Couture (formerly of The Echo Hunters) on drums and percussion.
Popular at music festivals and venues across eastern Canada, the band is branching more and more into the U.S. market, with more bookings up-coming in 2018.
DANA SIPOS
Dana Sipos inhabited the far north before going nomad and her captivatingly nuanced songs are filled with surrealism and a wild wind. She tours by bicycle, tall ship, canoe and train. Her last album, Roll Up the Night Sky, received critical acclaim and was nominated for a 2015 Canadian Folk Music Award in the Pushing the Boundaries category. Recorded with experimental Toronto producer Sandro Perri, she’ll release a new album, Trick of the Light, in early 2018.
Dana Sipos Website
Dana Sipos Facebook
Dana Sipos Instagram
Dana Sipos Twitter
Opening Act: The Crew
Desboro Music Hall 2018 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets:Regular: $25
THE YOUNG NOVELISTS
When they first met, Graydon James and Laura Spink had no idea that they would be married one day — much less touring the world together as The Young Novelists. Since the band’s inception in 2009, they’ve played stages across the U.S. and Canada, released three full-length albums, won numerous awards and continuous praise for their unmatched, effortless harmonies. But for their new album in city & country, the Toronto-based band decided to travel out of the city and in to small-town Ontario in order to connect the two places. After years of firsthand experience combined with historical research, James and Spink wrote over 30 songs inspired by a dozen Canadian towns. From that set, in city & country was born — a collection of ten songs that tell the universal stories of both parallels while highlighting the differences, similarities, and everything in-between.
They both grew up in Ontario; Spink in Peterborough, James in Verona, a small eastern town with a population of a mere 1,800. They both moved to Waterloo for university, where they met via community theatre; but it wasn’t until James decided to refocus his career from drummer to frontman that they combined their talent musically. “I had written a bunch of songs and recorded them in my basement, mostly for posterity,” says James, “I asked Laura to sing harmony on some of the songs and it instantly had this magical vibe.” Shortly after James released his solo album Goodnight, Young Novelist (2009), he realized that in order to perform live, he needed to assemble a band to match the record’s full sound. After recruiting some musicians he had met over the years and touring the east coast as a six-piece, the band decided to stay together, becoming Graydon James & The Young Novelists. Between 2011 and 2012, they released two albums: live at dublin st. church (2011), and in the year you were born (2012). However, it became clear that Spink was taking on more lead vocal duties. By the time they recorded their next album, made us strangers (2015), it made the most sense to simply shorten their name to The Young Novelists.
While their upcoming album in city & country will technically be their fourth album, it is their third studio album and second under the current moniker. Their last record made us strangers landed them a Canadian Folk Music Award for New/Emerging Artist, a Vocal Group of the Year nomination, and reached top 20 on !earshot’s and Stingray Music’s (formerly Galaxie) folk charts. The same year, the band won the Grassy Hill Connecticut Folk Songwriting competition and James received the Ontario Art Council’s prestigious Colleen Peterson Songwriting Award. But 2016 was an even bigger year for the two — Spink quit her job as a scientist, they packed their things (and their five year old son Simon), and went on a massive North American tour. After over 100 shows, including a 10-week stint on the road, the pair returned to Toronto to start working on in city & country, drawing inspiration from their travels.
Set for release on May 4, 2018, The Young Novelists recorded in city & country with the help of JUNO-winning producer Howard Bilerman (Arcade Fire, Leonard Cohen, The Wooden Sky). Recorded at Bilerman’s Hotel2Tango studios in Montreal, the duo returns with their classic him-and-her vocals, with James playing acoustic guitar and Spink on percussion and vibraphone. For the album’s fullness, they enlisted the help of bassist Derrick Brady, drummer Rory Calexico, and guitarist John Law.
“It was a new experience – being away from home and recording,” Spink says, adding, “It was magical to be in a beautiful, new (to us) city, spending our time and creative energy in a great studio, working with fun and fantastic people who were equal parts talented and devoted to the project.”
The album opens with “Two Of A Kind” a sentimental ballad inspired by the town of Goderich; keyboardist Jeffrey Louch shines on the almost-love song that tells the tale of a woman trying to choose between two men. The album continues with the delicate, mellow “Back To The Hard Times,” but this time, focusing on Spink’s vocals, perfectly complemented by violinist Lana Tomlin (noted for her work with Canadian band Stars). The song is inspired by Ridgeway, a town on the shores of Lake Erie, and compares two very different kinds of sadness: the failure of an old amusement park and a friend’s relationship ending. “This sort of thing happens in lots of small towns – an industry is built up and torn down. We tried to combine aspects of the grandiose industrialist dreamer who started the Crystal Beach Amusement Park, and the small-town kids who tried their best and got their hearts broken there.” The album takes a leap on track 5 with the upbeat, energy-packed “Come Round Again”. Written about a Bonnie & Clyde-style heist in Halton Hills, the song’s adrenaline draws from a guitar-heavy intro and super catchy hook — it’s a challenge to not airdrum along to this one.
The title track, “City & Country”, ties the album together in more ways than one; listening wise, the track brings together the entire studio band (including cellist Justin Wright). Inspired by Toronto, Waterloo, and his hometown of Verona, James’ reminisces on crucial times and places in his life. “This is really a song about my experiences living in a major city and a small town, and the fact that I think there are more similarities than differences.” No matter where you’ve lived, the dichotomy that exists on in city & country is universal; it’s not just a memoir of the duo’s experiences or the histories of small towns, it’s about appreciating where you’ve been and where you’re at — and finding the good and bad that lies within both
The Young Novelists Website
The Young Novelists Facebook
The Young Novelists Twitter
The Young Novelists Instagram
THE CREW
The Crew is a folk/trad band from Ontario. Made up of multi-instrumentalists, this brother-sister group writes and performs songs full of heart and rhythm, the kind you can’t sit still to. They braid flavours of the east coast, power-house vocals, and a pulsing folk drive seamlessly to make their signature Crew sound.
Join us in between the Strawberry Supper and the Fireworks for a PWYC concert (suggested donation of $20) with Paul J McInnis. You may remember him from our very first Season at the Desboro Music Hall. Come enjoy some music from 7:30 – 9pm at the Hall.
BIO
If he were alive 100 years ago, Paul J McInnis would have been found strumming on a street corner, singing his songs about roads, girls, and small towns. His closest friends would have been pickers, singers, poets and painters. He would have enjoyed a simple life surrounded by the things he loved. Today, 100 years later, not much is different. If you look for him, Paul can be found strumming on a street corner in some small town, singing songs about roads, girls, and the things he loves. He may slip into his local pub on the way home for a pint with some old friends. It`s a simple life. Paul J McInnis’ music is his own. It is literate, joyful, melancholy, and timeless. He prefers to play in the moment; recording live off the floor with open mics and no overdubs. Mistakes happen, he’ll say, but so does magic. The resulting albums are collections of some of those magical mistakes, all written and arranged by Paul and performed beautifully with some of his closest friends on mandolin, harmonica, accordion, cello or whatever instrument is close by. It is what Paul believes music should be: simple and real.
To remind you of his music, here is the video clip of Paul’s last visit to Desboro Music Hall: