Opening Act: Brontae Hunter
Desboro Music Hall 2017 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
James Hill & Anne Janelle
Four strings and a favourite chocolate bar: that’s all James Hill – “possibly the best ukulele player in the world” (Waikato Times) – and Anne Janelle – “a cellist of true beauty” (Ottawa Citizen) – had in common when they first met. It was more than enough. Today, they’re an award-winning, “utterly world-class” singer-songwriter-ukulele-cello duo (Paul Symes, The Blacksheep Inn). It’s true: opposites attract. James grew up playing folk, jazz and blues on his ukulele while Anne was exclusively a classical cellist. But the pair’s differences quickly became their biggest asset. The uke is high, the cello is low; the uke plays short notes, the cello long bow strokes; the uke is all about strumming while the cello radiates melody. Like shadows and light in an old photograph, these contrasts are complementary. “We’re like a pair of dancers who can’t step on each other’s feet,” jokes James. Flash back to 2008. Anne was working on her Master’s degree in cello performance at the University of Ottawa while James was wowing crowds with his ukulele wizardry at festivals across North America, on a mission “to prove beyond the shadow of a doubt that in the right hands the uke can be a formidable axe” (Ann Arbor News). And then, one email changed the course of their musical lives. James and Anne were selected to record a track for a compilation album called Classical Ukulele for release in Japan. “If it weren’t for that recording project,” confides Anne, “I don’t think we ever would have started playing together. It just wouldn’t have occurred to us.” Often the most obvious thing is the thing that’s most easily overlooked. “We chose Schubert’s Ave Maria and arranged it for ukulele and cello. We recorded it in a tiny practise cubicle at the university!” The result? “Absolutely brilliant” (The Folk Diary). Naturally the next step was to release a duo album and, so, True Love Don’t Weep was born. The album garnered a Canadian Folk Music Award for Best Traditional Album of the Year in 2009. A mixture of traditional tunes with “fresh vitality” (Country Music People) and, for the first time, original songs, True Love Don’t Weep showcased the duo’s ability “to capture the soul of a song.” (Folk World). By this time, Anne had completed her degree and the pair were performing regularly, bringing their “instinctive musical interaction and contagious enthusiasm” (Ottawa Citizen) to audiences across five continents. Since True Love Don’t Weep, James and Anne have each released two solo albums each (James’ Man with a Love Song and The Old Silo; Anne’s Beauty Remains and So Long at the Fair) and toured in over 15 countries, making their mark not only as accomplished instrumentalists but also as some of the finest songwriters of their generation. 2016 marks the return of the duo in full force. “We walked our separate musical paths for a while, but I think we both came to realize, each in our own way, that the duo is our strongest musical offering. There is passion, there is diversity, there are many levels with which an audience can engage with our music when it’s not one or the other but both of us.” reveals Anne. Together, James and Anne craft a sound that is intricate, enchanting and engaging: “a crystal clear sound filled with warmth” (Bob Mersereau, CBC). In concert, James is “a dazzling performer with a genial, low-key sense of humour” (Edmonton Journal) and Anne brings her “gorgeous syrupy voice” (Acoustic Magazine) to songs that are “inventive, entertaining, beautifully written and brilliantly performed” (R2 Magazine). In short, a night out with James Hill & Anne Janelle is “the perfect evening of tunes, stories and musical virtuosity” (Wellington Dominion-Post).
James & Anne Website
James & Anne Facebook
James & Anne Twitter
James and Anne Photos by Ed Boulter Photography
Brontae Hunter
Brontae Hunter is a performing artist who currently lives in Stratford, Ontario. Although she concentrates on acting, she is passionate about the live arts and what they bring to our quickly evolving culture. Previous projects she is most proud of include directing Innocence Lost: a play about Steven Truscott, producing and performing in The Women of Broadway and Beyond in Stratford’s factory 163, playing at Summerfolk along with the youth discoveries, and curating the performance collective For Our Stolen Sisters to raise funds and awareness for the Missing and Murdered Indigenous Woman crisis. In the fall, she plans to attend a conservatory style acting program. She looks forward to pursuing a career, in hopes of enriching the lives of others and starting important conversations through the medium of the performing arts. Check out her video and an original song on Facebook
Opening Act: The Kelly Song Collective
Desboro Music Hall 2018 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Limited Advance: $20, Regular: $25
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
ZACHARY LUCKY
Zachary Lucky is unapologetically old-school country, armed with a husky, baritone voice – He often receives comparisons to songwriters such as Gordon Lightfoot and Kris Kristofferson. He sings of Canadian places and people as knowingly as he might Townes Van Zandt or the Rio Grande. It’s a relatable show on many levels, and conjures universal feelings that have passed through our collective timelines. Already hailed as a master storyteller by outlets ranging from No Depression to The Globe and Mail, and recently nominated best solo artist of the year at the 2017 Canadian Folk Music Awards, Lucky’s Everywhere A Man Can Be is his most powerful statement to date.
Zachary Lucky Website
Zachary Lucky Facebook
Zachary Lucky Instagram
Zachary Lucky Twitter
THE KELLY SONG COLLECTIVE
The Kelly Song Collective have been together for half a century. Brothers John and Joe Kelly played air guitar to the Beatles in their bedroom, before being set loose on the Toronto bar scene; apprenticeship for the song writing and playing that defines the record.
“There’s a melancholy and rawness to the Kellys’ music that’s hard to deny. They clearly appreciate the power of words and understand how to weave them together.” Karl Magi, Hub Pages Music
Call it acoustic, folk, singer songwriter or whatever pigeon hole is trending these days, the goal is writing great songs. Maybe you’ll hear of echoes of Townes and Bob, and like Leonard and Stan, the muse remains life, love and this country.
“The Kelly Song Collective’s Unless and Until is a collection of gritty, deeply felt roots-folk songs, filled with resonant imagery, unexpected lyrical twists & turns, and a heart-on-sleeve authenticity that grabs you from the get-go.” Grant Stovel, CKUA Radio
The Kelly Song Collective Website
The Kelly Song Collective Facebook
The Kelly Song Collective Instagram
The Kelly Song Collective Twitter
Join us in between the Strawberry Supper and the Fireworks for a PWYC concert (suggested donation of $20) with Paul J McInnis. You may remember him from our very first Season at the Desboro Music Hall. Come enjoy some music from 7:30 – 9pm at the Hall.
BIO
If he were alive 100 years ago, Paul J McInnis would have been found strumming on a street corner, singing his songs about roads, girls, and small towns. His closest friends would have been pickers, singers, poets and painters. He would have enjoyed a simple life surrounded by the things he loved. Today, 100 years later, not much is different. If you look for him, Paul can be found strumming on a street corner in some small town, singing songs about roads, girls, and the things he loves. He may slip into his local pub on the way home for a pint with some old friends. It`s a simple life. Paul J McInnis’ music is his own. It is literate, joyful, melancholy, and timeless. He prefers to play in the moment; recording live off the floor with open mics and no overdubs. Mistakes happen, he’ll say, but so does magic. The resulting albums are collections of some of those magical mistakes, all written and arranged by Paul and performed beautifully with some of his closest friends on mandolin, harmonica, accordion, cello or whatever instrument is close by. It is what Paul believes music should be: simple and real.
To remind you of his music, here is the video clip of Paul’s last visit to Desboro Music Hall: