Opening Act: Carter and Ben
Desboro Music Hall 2017 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
The Redhill Valleys
The Redhill Valleys are an original 3-piece Folk/Rock group from Hamilton, Ontario. Rooted by their influences in southern rock, acoustic Americana and soul, the newly formed trio are forging a musical path all their own. The collaboration of guitarist Danielle Beaudin, bassist Chelsea McWilliams and drummer Tim Allard is built upon a common dedication to the craft of songwriting, unifying the poetic ease of their lyrics with unforgettable melodies, harmonies and guitar riffs.
The path to now began when bassist Chelsea McWilliams and guitarist Danielle Beaudin hit the open road for Nashville, Tennessee. They collaborated on their newly developed material and it wasn’t long before the pair found their rhythm. Drummer Tim Allard joined shortly after their return from the Music City, and it became undeniable that something unique was under way as their individual sounds came together as one. They didn’t know it yet, but this was the beginning of The Redhill Valleys.
The trio dug their heels in over the following year, polishing their live material and playing the local circuit. Songs worthy of a full-length album were quickly coming to life, and a curious hum among the Hamilton music scene was building around their folk, roots, and rock inspired sound. Their collaborative influences brought catchy country choruses, as heard on their new single titled “Wrong Way Turns Out Right”, a Canadiana inspired folk ballad called “Parry Sound”, and unapologetic toe-tappin’ rock via tunes such as “You Can’t Be Alone” and “Ragged and Run Down”. Their set-list crossed genres and touched on the hearts of true music lovers.
After a successful fundraiser, the group was able to raise money to begin the recording process. Their debut album was recorded at Westmoreland Recording Studios in Hamilton, Ontario with producer Carl Jennings. The 12-tracks feature McWilliams, Beaudin and Allard trading off lead vocals, which leads the listener on a multifaceted and deeply rich journey. In the studio, the trio honed in on their respected and multi-instrumental abilities to fine tune and translate the energy of their live performances into the record. With the help of producer Jennings, their sound became distinct and the songs unforgettable.
Released on April 26th 2016, the album is now available for purchase via The Redhill Valleys store and download on iTunes and Bandcamp, and streaming on SoundCloud, Spotify, Apple Music and more!
Redhill Valleys Website
Redhill Valleys Facebook
Redhill Valleys Twitter
Redhill Valleys Instagram
Carter and Ben
This duo is known to captivate their audiences with their dexterity, sincerity, and organic playing style. They take the defining aspects of blues and folk and approach them from different angles resulting in a fresh interpretation of two great genres. Their songwriting has been described as thoughtful, soulful, engaging.
In August of 2016, Carter Rolland and Ben Turcotte released their debut album “Basement Folk”.
Opening Act: The Kelly Song Collective
Desboro Music Hall 2018 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Limited Advance: $20, Regular: $25
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
ZACHARY LUCKY
Zachary Lucky is unapologetically old-school country, armed with a husky, baritone voice – He often receives comparisons to songwriters such as Gordon Lightfoot and Kris Kristofferson. He sings of Canadian places and people as knowingly as he might Townes Van Zandt or the Rio Grande. It’s a relatable show on many levels, and conjures universal feelings that have passed through our collective timelines. Already hailed as a master storyteller by outlets ranging from No Depression to The Globe and Mail, and recently nominated best solo artist of the year at the 2017 Canadian Folk Music Awards, Lucky’s Everywhere A Man Can Be is his most powerful statement to date.
Zachary Lucky Website
Zachary Lucky Facebook
Zachary Lucky Instagram
Zachary Lucky Twitter
THE KELLY SONG COLLECTIVE
The Kelly Song Collective have been together for half a century. Brothers John and Joe Kelly played air guitar to the Beatles in their bedroom, before being set loose on the Toronto bar scene; apprenticeship for the song writing and playing that defines the record.
“There’s a melancholy and rawness to the Kellys’ music that’s hard to deny. They clearly appreciate the power of words and understand how to weave them together.” Karl Magi, Hub Pages Music
Call it acoustic, folk, singer songwriter or whatever pigeon hole is trending these days, the goal is writing great songs. Maybe you’ll hear of echoes of Townes and Bob, and like Leonard and Stan, the muse remains life, love and this country.
“The Kelly Song Collective’s Unless and Until is a collection of gritty, deeply felt roots-folk songs, filled with resonant imagery, unexpected lyrical twists & turns, and a heart-on-sleeve authenticity that grabs you from the get-go.” Grant Stovel, CKUA Radio
The Kelly Song Collective Website
The Kelly Song Collective Facebook
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The Kelly Song Collective Twitter
Opening Act: Annie Sumi
Desboro Music Hall 2018 Concert Series
All Ages
Doors Open: 7pm, Music Starts: 7:30pm
Tickets:Regular: $25
ANDREW COLLINS TRIO
Mando maestro Andrew Collinsfinds himself –through no actual fault of his own –at the epicentre of Canada’s burgeoning acoustic/roots music scene. He didn’t invent it –but he’s certainly been a contributor, having co-founded seriously noteworthy Canadian bands like the Creaking Tree String Quartet, the Foggy Hogtown Boys and, more recently, his namesakeTrio. That’s not to mention the fact that this prolific, robust performer –comfortable on mandolin, fiddle, guitar, mandola and mandocello –composes, produces, arranges, writes and teaches across multiple genres, including a popular collision of folk, jazz, bluegrass, celtic, and classical.As Collins gathers up innumerable JUNO nominations (5) and Canadian Folk Music Awards(7)won byhisvarious ensembles, he’s zeroing in on the work he does with Trio-mates: fellow string guru Mike Mezzatesta,whose versatility shinesthrough on guitar, mandolin, fiddle and mandola, and in-the-pocket James McEleney holding it down on the bass, mandocelloand vocals. Showcasing a dizzying number of styles and instruments on stage, Collins and Co. appear tolive by the old adage, “idle hands are the devil’s workshop”, likely keeping them just ahead of his grasp.Bending and blending genres, these musical shape shifters land somewhere between the re-imagined worlds of Béla Fleck and Newgrass invader, David Grisman.They just released a new double album, grafting 11 vocal cuts (tongues) to 11 instrumentals (grooves) to create a seamless finish with their cleverly monikered double album, Tongue & Groove. Each cut is milled to perfection and represents a back-to-basics visitation on what the band does best –spontaneity of the stage and rapid-fire, improvisational exchanges.
Andrew Collins Trio Website
Andrew Collins Trio Facebook
Andrew Collins Trio Instagram
ANNIE SUMI
Annie Sumi is an ethereal-folk artist with a unique ability to capture the subtleties of nature and spin them into melodies. Her latest release, “In the Unknown”, is a collection of stories that speak to the journey of the human-Spirit. Since the release of her debut album, she has received nominations for “New/Emerging Artist of the Year” (Canadian Folk Music Awards, 2018), “Best Singer-Songwriter” (TIMAs, 2015), “New/Emerging Artist of the Year” (Hidden Roots Collective, CFMAs, 2017), and more. This year, with the support of the Ontario Arts Council, Annie Sumi carried these landscapes of sound across Canada, coast-to-coast, and Central Europe. Her live performance is a journey into the permeable nature of the heart; she is a vulnerable vessel that consistently leaves it all on the stage, and inspires the audience to feel something.