Events

 

 

Dec
3
Sun
2017
Interro Quartet @ Desboro Music Hall
Dec 3 @ 2:00 pm – 4:00 pm

Please join us for a Winter Chamber Music Concert.  We have always thought the acoustics in the Hall would be perfect for a small quartet.  Interro Quartet is a string quartet featuring violin, viola and cello.

Interro Quartet combines passionate performances with a curiosity to explore new sounds and venues in chamber music. The group’s repertoire includes works of classical music giants, as well as new compositions by emerging and established Canadian composers. Featuring award-winning graduates of University of Toronto, the Interro Quartet includes violinists Adam Despinic and Steve Koh, violist Maxime Despax, and cellist Sebastian Ostertag.

The mission of the Interro Quartet is not only to make quartet music accessible to those who seek it but also to broaden the spectrum of audiences through diverse programming. To complement this mission, members of the Interro Quartet are also avid educators and clinicians, dedicated to supporting education programs that encourage new ways for artists and listeners to share, experience, and incorporate chamber music into their daily lives.

Interro Quartet Website
Interro Quartet Facebook
Interro Quartet Instagram

Individual bios:
Adam Despinic, violin
Steve Koh, violin
Maxime Despax, viola
Sebastian Ostertag, cello

Sep
13
Fri
2019
Andrew Collins Trio with Annie Sumi @ Desboro Music Hall
Sep 13 @ 7:30 pm – 10:30 pm
Opening Act: Annie Sumi

Desboro Music Hall 2018 Concert Series

All Ages

Doors Open: 7pm, Music Starts: 7:30pm

Tickets:Regular: $25


 

ANDREW COLLINS TRIO

Mando maestro Andrew Collinsfinds himself –through no actual fault of his own –at the epicentre of Canada’s burgeoning acoustic/roots music scene. He didn’t invent it –but he’s certainly been a contributor, having co-founded seriously noteworthy Canadian bands like the Creaking Tree String Quartet, the Foggy Hogtown Boys and, more recently, his namesakeTrio. That’s not to mention the fact that this prolific, robust performer –comfortable on mandolin, fiddle, guitar, mandola and mandocello –composes, produces, arranges, writes and teaches across multiple genres, including a popular collision of folk, jazz, bluegrass, celtic, and classical.As Collins gathers up innumerable JUNO nominations (5) and Canadian Folk Music Awards(7)won byhisvarious ensembles, he’s zeroing in on the work he does with Trio-mates:  fellow string guru Mike Mezzatesta,whose versatility shinesthrough on guitar, mandolin, fiddle and mandola, and in-the-pocket James McEleney holding it down on the bass, mandocelloand vocals. Showcasing a dizzying number of styles and instruments on stage, Collins and Co. appear tolive by the old adage, “idle hands are the devil’s workshop”, likely keeping them just ahead of his grasp.Bending and blending genres, these musical shape shifters land somewhere between the re-imagined worlds of Béla Fleck and Newgrass invader, David Grisman.They just released a new double album, grafting 11 vocal cuts (tongues) to 11 instrumentals (grooves) to create a seamless finish with their cleverly monikered double album, Tongue & Groove. Each cut is milled to perfection and represents a back-to-basics visitation on what the band does best –spontaneity of the stage and rapid-fire, improvisational exchanges.

 

Andrew Collins Trio Website
Andrew Collins Trio Facebook
Andrew Collins Trio Instagram


ANNIE SUMI

Annie Sumi is an ethereal-folk artist with a unique ability to capture the subtleties of nature and spin them into melodies. Her latest release, “In the Unknown”, is a collection of stories that speak to the journey of the human-Spirit. Since the release of her debut album, she has received nominations for “New/Emerging Artist of the Year” (Canadian Folk Music Awards, 2018), “Best Singer-Songwriter” (TIMAs, 2015), “New/Emerging Artist of the Year” (Hidden Roots Collective, CFMAs, 2017), and more. This year, with the support of the Ontario Arts Council, Annie Sumi carried these landscapes of sound across Canada, coast-to-coast, and Central Europe. Her live performance is a journey into the permeable nature of the heart; she is a vulnerable vessel that consistently leaves it all on the stage, and inspires the audience to feel something.