Events

 

 

Apr
22
Sat
2017
Opening 2017 Season: My Sweet Patootie @ Desboro Music Hall
Apr 22 @ 7:30 pm – 10:30 pm

Main Act: My Sweet Patootie

Opening Act: Alicia Toner

Desboro Music Hall 2017 Concert Series

All Ages
Doors Open: 7pm, Music Starts: 7:30pm

Buy Tickets

Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)

*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance tickets)


My Sweet Patootie is contemporary roots and ragtime at its best; bringing tight harmonies, monstrous guitar, sizzling fiddle and percussion together in one perfect package. Founded in 2007 by Canadian Folk Music Award winners Sandra Swannell and Terry Young, the trio has a growing international reputation. From original swing to funky fiddle-tune arrangements to exquisite ballads, they deliver a must-see show that Driftwood Magazine describes as “two parts exemplary musicianship, one part vaudeville comedy”.

Their vintage-style song writing is rooted in folk, americana and jazz; heavily influenced by the likes of Chet Atkins, Lenny Breau, Les Paul & Mary Ford and the Andrews Sisters. Throw in a penchant for light-hearted satire and their love of artists like Patsy Cline and Hank Williams and you get a sound that Young likes to call “Green Acres for the New Millennium”.

Terry Young is described by Penguin Eggs as an “acoustic guitar god”.  BBC critic James Harrox calls his playing “virtuosic”, while FATEA magazine describes it as “jaw dropping”. He has taught advanced finger-style guitar clinics and has written about his technique for Chicago’s Plank Road Folk Music Society Magazine. He is a talented multi-instrumentalist who toured from 1999 – 2009 with the group Tanglefoot; performing on guitar, mandolin, banjo and pennywhistle. Terry is a classically trained singer and holds a Bachelor of Music from the University of Western Ontario.

Sandra Swannell is a classically trained violinist/ violist, but her style owes much more to the influences of Joe Venuti and Stephane Grappelli. Her diverse musical background ranges from recording with Canada’s legendary Stompin’ Tom Connors to writing a series of musical sketches for string orchestra. She was the principal violist of the Georgian Bay Symphony and fronted the Celtic art-rock band The Shards before joining the group Tanglefoot in 2005. Sandra has taught violin/ viola clinics for festivals, schools, community orchestras for many years as well as her own private studio.

With the departure of group’s original drummer Bradford Nowak in 2015, My Sweet Patootie became a truly international band with Welsh percussionist Anthony Thickett joining for UK tours, and Canadian Paul Clifford for North American tours.

Paul Clifford is a drummer, percussionist, songwriter and producer now based in Ontario. Musically growing up on the west coast of Canada, Paul played in various jazz/ blues bands, theatre productions, reggae bands, and toured/ recorded with the Vancouver folk-roots ensemble The Be Good Tanyas. Music education includes the many pilgrimages to New Orleans, Cuba, jazz studies on Vancouver Island, busking the streets of Europe with his tiny drum kit, and years of touring/ recording with the north american roots trio Groanbox. Based in the English countryside of Kent for ten years, Paul worked as a record producer for Smugglers Records, was the musical director for the vaudevillian theatre collective The Private Widdle Social Club, and kept active in the local and London blues scenes. His education continues.

The band’s name “My Sweet Patootie” is a slang term of endearment which became popular in the 1920s meaning a “hot dame” or a “sassy sweetheart”. Several ragtime titles from the jazz-age reference the expression, as do the lyrics of “Everybody Loves My Baby” (1924) by Spencer Williams and Jack Palmer. More significantly for Young and Swannell is “Sweet Patootie Blues” (1928) by Arthur “Blind” Blake, who was well known for his complex and intricate finger picking. The name was chosen to capture the vintage flavour of their music as well as the satirical edge in much of their song writing.

MSP released their third album “Good Day” in May of 2013, their first full length album as a trio. Peter Cowley’s review in FATEA magazine describes it as “infectious good humour and superb playing and singing, a delightful combination of jazzy guitar, Hot Club violin, luscious strings and horns and harmony vocals”. The CD was produced, arranged, engineered and mastered by Young & Swannell at their own Nowheresville Studio located in an historic one-room school house near Meaford, Ontario. “Good Day” is their most ambitious project to date and features each member’s skills as multi-instrumentalists, yet still remains true to their live sound as a trio. Other recordings are Patootified!”(2010, self produced) and “Nowheresville” (2008, produced by Canadian gospel-blues legend Ken Whiteley).

The trio has performed thousands of shows including theatres, festivals and clubs in Canada (Ontario, Manitoba and British Colombia), the United States from the eastern Seaboard to the Midwest, and the United Kingdom. My Sweet Patootie is played regularly on CBC, NPR, and BBC Radio. They have performed live-to-air concerts on; the nationally-syndicated WFMT “Folkstage” in Chicago, IL; WVBR’s “Bound for Glory” in Ithaca, NY; and BBC’s “The Drift” in Blackburn, Lancashire.

In 2014 My Sweet Patootie performed at the Mariposa Folk Festival and were guest artists with the Georgian Bay Symphony, performing orchestrated versions of their original songs. In 2015 they launched their fifth 2 month-long tour of England and Scotland and their eighth North American tour.

My Sweet Patootie Website
My Sweet Patootie Facebook
My Sweet Patootie Twitter

My Sweet Patootie Photos by Wayne Simpson


A critically acclaimed singer, fiddler, actor, musician, Alicia Toner has been wowing audiences with her diverse skill set for years. Classically trained in violin and voice with a diploma in Music Theatre-Performance, this unique performerʼs journey has taken her all over Canada and to several European countries.

Born and raised in Fredericton, NB, she caught the performing bug early, touring with the New Brunswick Youth Orchestra, with whom she played Carnegie Hall, and singing/ playing fiddle in the Celtic/folk quartet HATband. Since moving to Toronto 10 years ago and studying Music Theatre, Alicia has appeared in over 30 productions across Canada and Europe including the Dora Award Winning production of Assassins(TIFT/Birdland) and the hit musical Once(Mirvish) that brought home many Doras and much critical acclaim. For the last four years, she has been a staple of the Charlottetown Festival, lending her incredibly versatile voice to roles such as Cinderella in Cinderella, as well as many featured vocalist roles. Most recently, she was seen in the wildly successful new Canadian Musical The Chasse Galerie.

An East Coaster at heart, Alicia felt the pull of the Maritimes and, in 2014, made Charlottetown her home. Since then, she has shifted her attention to her first love; music. In June of 2015, Alicia went into the studio with Stuart Cameron, Peter Fusco and Blake Manning to record her first four track EP. The following Spring, with the help of FACTOR Canada, she completed her full-length debut album “I Learned the Hard Way” to be released this June, 2017.
Alicia Toner Website
Alicia Toner Facebook
Alicia Toner Twitter

Jul
1
Sat
2017
Canada Day – Harmony B’s @ Desboro Music Hall
Jul 1 @ 7:00 pm – 10:00 pm

We welcome the Harmony B’s for our Canada Day Celebration at Desboro Music Hall.  It all happens between the Strawberry Supper and the Fireworks.  PWYC (Pay What You Can).  We’ll have lots happening:

~ Join us for a little Open Mic between sets from 7 – 8pm, 8:30 – 9:00pm-ish, 9:30 – 10pm-ish.  We’ll have a guitar and piano.  You bring your singing voice and songs or whatever you want to perform.  Please sign up when you arrive.

~ The Harmony B’s play at 8pm & 9pm and the dance floor will be open.

~ Our Concession Stand will be open for snacks and drinks.

HAPPY 150th CANADA!

 

Apr
20
Fri
2018
The O’Pears with Madison Galloway @ Desboro Music hall
Apr 20 @ 7:30 pm – 10:30 pm
Opening Act: Madison Galloway

Desboro Music Hall 2018 Concert Series

**Please note this is a Friday concert (Friday April 20)**

All Ages Doors Open: 7pm, Music Starts: 7:30pm

Tickets: Limited Advance: $20Regular: $25

*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)

 


THE O’PEARS

The O’Pears are a Toronto-based contemporary folk trio made up of Lydia Persaud, Jill Harris and Meg Contini, three songwriters who weave stories that stir the spirit and capture the timeless character of folk music. Like Those Nights, their debut album, captures soaring harmonies and a seamless blend, evoking the profound intimacy of Nick Drake, the sister-like blend of The Staves and the dynamic harmony of Crosby, Stills, and Nash. Live performances turn the loudest bar into the warmest house concert, with their endearing, unabashed personalities balancing the intimate sincerity of the songs. They recently performed to high acclaim at festivals such as Summerfolk, Great Heart Festival, Lunenburg Folk Harbour Festival, garnered radio play across Canada, including CBC, and have been featured live with Royal Wood, Good Lovelies, Michelle Willis, and Coco Love Alcorn. Each band member a distinctly talented musician with a stand-alone voice, style, and stage presence, when these three come together it is breathtaking. A striking mix of tight a cappella and rootsy instrumentation, Like Those Nights explores lessons learned about love and loss through the eyes and hearts of young Canadian storytellers. The O’Pears continue to bring a strong, honest voice to the modern female perspective.

The O’Pears Website
The O’Pears Facebook
The O’Pears Instagram
The O’Pears Twitter


MADISON GALLOWAY

Born and raised in small town Fergus, Ontario, 18-year old Madison Galloway is a driven and dynamic musician and singer-songwriter with a unique approach to her blend of folk, rock, and blues.

At 15, Madison set out to translate her youthfulness and energy into fresh hooks and appealing melodies with her debut EP “Who Knows Where” featuring five of her original songs that flirt with country influences, while retaining Madison’s signature style and direct attitude.

Madison takes the stage with guitar, harmonica, and ukulele performing solo, as part of the duo Fork n’ Harp, or accompanied by her band, The Mud Guppies. She has over 160 shows under her belt, having shared the stage with renowned Canadian artists such as 54-40, The Sadies, Alysha Brilla, and Coco Love Alcorn. She captures the ears and hearts of her audience with a performance that is riveting for its energy; imagine Janis Joplin jamming with Neil Young while Joni Mitchell looks over proudly.


Madison Galloway Website
Madison Galloway Facebook
Madison Galloway Instagram
Madison Galloway Twitter
Madison Galloway YouTube

Sep
22
Sat
2018
Lonesome Ace Stringband with Graham Nicholas @ Desboro Music Hall
Sep 22 @ 7:30 pm – 10:30 pm
Opening Act: Graham Nicholas

Desboro Music Hall 2018 Concert Series

All Ages Doors Open: 7pm, Music Starts: 7:30pm

Tickets: Limited Advance: $20Regular: $25

*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)

 


LONESOME ACE STRINGBAND

The Lonesome Ace Stringband brings grit, skill and abandon to old-time, Appalachian folk songs and fiddle/banjo tunes. The members are Chris Coole on banjo, John Showman on fiddle and Max Heineman on bass. Together they bring a deep respect for the roots of the music, a keen sense of innovation to the performance and material, and a passion for the sound that transcends both. 2018 will see the band release it’s 3rd album “When the Sun Comes Up”, which takes a step away from the traditional repertoire of the first two recordings and features the songwriting of all three members. Since they’re inception in 2008, LAS have developed the kind of instinctual rapport, that only comes from seasoned musicians logging many hundreds of playing hours together.  This is old-time music for today’s old soul.


Lonesome Ace Stringband Website


GRAHAM NICHOLAS

With the release of his new album, Dial Tones and Pretty Notes, Graham Nicholas has created an emotionally resonant world inhabited by troubled and love-hungry characters. Never alienated for their insecurities, his characters are instead respected by the empathetic voice of an honest songwriter. The album finds Nicholas honing in on his concise form of storytelling and refining his irreverent sense of humour. Coupling the narratives with a backing band that harkens back to the likes of The Heartbreakers, Travelling Wilburys and The Byrds, Nicholas’ songs have found the right balance of warmth and grit. It was recorded and produced by Graham’s longtime collaborator Aaron Comeau (Skydiggers, Al Tuck) at his studio The Trailer. Not only has Graham Nicholas maintained an extensive and country crossing touring schedule, he has also shared the stage with the like of Ron Hynes, Catherine Maclellan, Old man Luedecke, Del Barber and Daniel Romano.


Graham Nicholas Website
Graham Nicholas Facebook

Apr
13
Sat
2019
The Young Novelists with The Crew @ Desboro Music Hall
Apr 13 @ 7:30 pm – 10:30 pm
Opening Act: The Crew

Desboro Music Hall 2018 Concert Series

All Ages Doors Open: 7pm, Music Starts: 7:30pm

Tickets:Regular: $25


 

THE YOUNG NOVELISTS

When they first met, Graydon James and Laura Spink had no idea that they would be married one day — much less touring the world together as The Young Novelists. Since the band’s inception in 2009, they’ve played stages across the U.S. and Canada, released three full-length albums, won numerous awards and continuous praise for their unmatched, effortless harmonies. But for their new album in city & country, the Toronto-based band decided to travel out of the city and in to small-town Ontario in order to connect the two places. After years of firsthand experience combined with historical research, James and Spink wrote over 30 songs inspired by a dozen Canadian towns. From that set, in city & country was born — a collection of ten songs that tell the universal stories of both parallels while highlighting the differences, similarities, and everything in-between.

They both grew up in Ontario; Spink in Peterborough, James in Verona, a small eastern town with a population of a mere 1,800. They both moved to Waterloo for university, where they met via community theatre; but it wasn’t until James decided to refocus his career from drummer to frontman that they combined their talent musically. “I had written a bunch of songs and recorded them in my basement, mostly for posterity,” says James, “I asked Laura to sing harmony on some of the songs and it instantly had this magical vibe.” Shortly after James released his solo album Goodnight, Young Novelist (2009), he realized that in order to perform live, he needed to assemble a band to match the record’s full sound. After recruiting some musicians he had met over the years and touring the east coast as a six-piece, the band decided to stay together, becoming Graydon James & The Young Novelists. Between 2011 and 2012, they released two albums: live at dublin st. church (2011), and in the year you were born (2012). However, it became clear that Spink was taking on more lead vocal duties. By the time they recorded their next album, made us strangers (2015), it made the most sense to simply shorten their name to The Young Novelists.

While their upcoming album in city & country will technically be their fourth album, it is their third studio album and second under the current moniker. Their last record made us strangers landed them a Canadian Folk Music Award for New/Emerging Artist, a Vocal Group of the Year nomination, and reached top 20 on !earshot’s and Stingray Music’s (formerly Galaxie) folk charts. The same year, the band won the Grassy Hill Connecticut Folk Songwriting competition and James received the Ontario Art Council’s prestigious Colleen Peterson Songwriting Award. But 2016 was an even bigger year for the two — Spink quit her job as a scientist, they packed their things (and their five year old son Simon), and went on a massive North American tour. After over 100 shows, including a 10-week stint on the road, the pair returned to Toronto to start working on in city & country, drawing inspiration from their travels.

Set for release on May 4, 2018, The Young Novelists recorded in city & country with the help of JUNO-winning producer Howard Bilerman (Arcade Fire, Leonard Cohen, The Wooden Sky). Recorded at Bilerman’s Hotel2Tango studios in Montreal, the duo returns with their classic him-and-her vocals, with James playing acoustic guitar and Spink on percussion and vibraphone. For the album’s fullness, they enlisted the help of bassist Derrick Brady, drummer Rory Calexico, and guitarist John Law.

“It was a new experience – being away from home and recording,” Spink says, adding, “It was magical to be in a beautiful, new (to us) city, spending our time and creative energy in a great studio, working with fun and fantastic people who were equal parts talented and devoted to the project.”

The album opens with “Two Of A Kind” a sentimental ballad inspired by the town of Goderich; keyboardist Jeffrey Louch shines on the almost-love song that tells the tale of a woman trying to choose between two men. The album continues with the delicate, mellow “Back To The Hard Times,” but this time, focusing on Spink’s vocals, perfectly complemented by violinist Lana Tomlin (noted for her work with Canadian band Stars). The song is inspired by Ridgeway, a town on the shores of Lake Erie, and compares two very different kinds of sadness: the failure of an old amusement park and a friend’s relationship ending. “This sort of thing happens in lots of small towns – an industry is built up and torn down. We tried to combine aspects of the grandiose industrialist dreamer who started the Crystal Beach Amusement Park, and the small-town kids who tried their best and got their hearts broken there.” The album takes a leap on track 5 with the upbeat, energy-packed “Come Round Again”. Written about a Bonnie & Clyde-style heist in Halton Hills, the song’s adrenaline draws from a guitar-heavy intro and super catchy hook — it’s a challenge to not airdrum along to this one.

The title track, “City & Country”, ties the album together in more ways than one; listening wise, the track brings together the entire studio band (including cellist Justin Wright). Inspired by Toronto, Waterloo, and his hometown of Verona, James’ reminisces on crucial times and places in his life. “This is really a song about my experiences living in a major city and a small town, and the fact that I think there are more similarities than differences.” No matter where you’ve lived, the dichotomy that exists on in city & country is universal; it’s not just a memoir of the duo’s experiences or the histories of small towns, it’s about appreciating where you’ve been and where you’re at — and finding the good and bad that lies within both

The Young Novelists Website
The Young Novelists Facebook
The Young Novelists Twitter
The Young Novelists Instagram


THE CREW

 

The Crew is a folk/trad band from Ontario. Made up of multi-instrumentalists, this brother-sister group writes and performs songs full of heart and rhythm, the kind you can’t sit still to. They braid flavours of the east coast, power-house vocals, and a pulsing folk drive seamlessly to make their signature Crew sound.

 

 

May
23
Sat
2020
The Unseen Strangers with David Lum @ Desboro Music Hall
May 23 @ 7:30 pm – 10:15 pm
Main Act: The Unseen Strangers
Opening Act: David Lum

Desboro Music Hall 2020 Concert Series
All Ages
Doors Open: 6:30pm, Music Starts: 7:30pm
Tickets:Regular: $25


 

THE UNSEEN STRANGERS

The Unseen Strangers have ambitiously cultivated a musical identity shaped by good old-fashioned bluegrass, the limitless barrage of contemporary musical influences, and a curious sense of humor.

Newgrass ambassadors, The Unseen Strangers favor innovation over convention.  For their newest album, Stranger Places (April 1st, 2016), the band challenged the limits of what they are capable of, exploring the gamut of what can be done with strings. The result is a collection of fun, stunning songs featuring inimitable instrumental performances.

The seven-part instrumental kick off “Ice Jam” launches the listener on an expansive journey through nine original songs, including the three-piece horn section funkiness of “Old City Jail” and the psychedelic newgrass epic “Square Trance”. The Strangers also pay homage to their bluegrass roots on “Wicked Lover” and the freight train inspired barnburner “New Railroad Blues”.

For Stranger Places, the band simplified their approach to the studio with quick, concise live off the floor sessions. The band teamed up with Toronto, ON based engineer and producer Andrew Collins (Creaking Tree String Quartet; Foggy Hogtown Boys), recording the album over several months in 2015.

The band was started in 2008 by Adam Shier, songwriter, multi-instrumentalist, and driving force behind The Unseen Strangers. Adam fell in love with the sound of Bluegrass while attending college in Halifax and was soon recruiting his best friends to be in a Bluegrass band. The band quickly recorded an album and were excited to win a Music Nova Scotia Award in 2009 for Bluegrass/Country Album of the Year. The group has grown immensely from these small beginnings but a similar goal remains, to play new energetic bluegrass music with respect to the incredible lineage of its tradition.

The Strangers approach to bluegrass is open-ended yet inclusive; they’ve been on the roster for several forward thinking festivals, including Delfest (hosted by bluegrass legend Del Mccoury), where they won the band competition in 2013. The Unseen Strangers continue to add to their diverse festival resume while consistently developing their sound both onstage and in the studio.

“They have music that engages all the senses and leaves listeners longing for more.”

~ Bluegrass Unlimited Magazine 

“Stellar mandolin, guitar and banjo shredding that sounds straight out of Tennessee”

Exclaim! – ON, CANADA

“These guys are good

CBC Radio – 

“The Unseen Strangers aren’t pretending to be cowboys. They’ll interrupt themselves for an instrumental breakdown of I Like To Move It…”

The Globe and Mail  – ON, CANADA

Unseen Strangers pushes the limits of stringed jam-band wildness to new heights. ”

The Aquarian – NJ, USA

“The expressiveness heard in their lovely ensemble brings a natural quality to their sound, forming a honest and genuine relationship with the listener.”

KAOS Radio – WA, USA

“At their most creative, the music is nearly irresistible, leaving you wondering what’s next and always coming through with a new turn to relish.”

Grayowl Point 

“Interesting Music”

~ Pete Wernick – “Dr. Banjo”, Hot Rize

“Bluegrass Band Competition Winners 2013”

~ Delfest – MD, USA

“Country/Bluegrass Song of the Year 2012”

~ International Acoustic Music Awards

 


DAVID LUM

Born and raised in Vancouver, David made his way across Canada, spent a decade in Winnipeg before settling in Hamilton.  Infusing a blend of contemporary folk and roots, his influences include renowned Canadian singer/songwriters such as Bruce Cockburn and James Keelaghan, as well as American blues artist Keb ‘Mo and folk-rock duo The Indigo Girls.

His songs are as varied as the landscapes he has travelled through, and his versatile guitar style traverses folk, blues, pop and everything else in between. His intimate voice will draw you into his world, filled with tales of quiet desperation, longing and triumph of the human spirit.

 

David Lum Website
David Lum Facebook
David Lum Twitter
David Lum Instagram
David Lum YouTube