Main Act: My Sweet Patootie
Opening Act: Alicia Toner
Desboro Music Hall 2017 Concert Series
All Ages
Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance tickets)
My Sweet Patootie is contemporary roots and ragtime at its best; bringing tight harmonies, monstrous guitar, sizzling fiddle and percussion together in one perfect package. Founded in 2007 by Canadian Folk Music Award winners Sandra Swannell and Terry Young, the trio has a growing international reputation. From original swing to funky fiddle-tune arrangements to exquisite ballads, they deliver a must-see show that Driftwood Magazine describes as “two parts exemplary musicianship, one part vaudeville comedy”.
Their vintage-style song writing is rooted in folk, americana and jazz; heavily influenced by the likes of Chet Atkins, Lenny Breau, Les Paul & Mary Ford and the Andrews Sisters. Throw in a penchant for light-hearted satire and their love of artists like Patsy Cline and Hank Williams and you get a sound that Young likes to call “Green Acres for the New Millennium”.
Terry Young is described by Penguin Eggs as an “acoustic guitar god”. BBC critic James Harrox calls his playing “virtuosic”, while FATEA magazine describes it as “jaw dropping”. He has taught advanced finger-style guitar clinics and has written about his technique for Chicago’s Plank Road Folk Music Society Magazine. He is a talented multi-instrumentalist who toured from 1999 – 2009 with the group Tanglefoot; performing on guitar, mandolin, banjo and pennywhistle. Terry is a classically trained singer and holds a Bachelor of Music from the University of Western Ontario.
Sandra Swannell is a classically trained violinist/ violist, but her style owes much more to the influences of Joe Venuti and Stephane Grappelli. Her diverse musical background ranges from recording with Canada’s legendary Stompin’ Tom Connors to writing a series of musical sketches for string orchestra. She was the principal violist of the Georgian Bay Symphony and fronted the Celtic art-rock band The Shards before joining the group Tanglefoot in 2005. Sandra has taught violin/ viola clinics for festivals, schools, community orchestras for many years as well as her own private studio.
With the departure of group’s original drummer Bradford Nowak in 2015, My Sweet Patootie became a truly international band with Welsh percussionist Anthony Thickett joining for UK tours, and Canadian Paul Clifford for North American tours.
Paul Clifford is a drummer, percussionist, songwriter and producer now based in Ontario. Musically growing up on the west coast of Canada, Paul played in various jazz/ blues bands, theatre productions, reggae bands, and toured/ recorded with the Vancouver folk-roots ensemble The Be Good Tanyas. Music education includes the many pilgrimages to New Orleans, Cuba, jazz studies on Vancouver Island, busking the streets of Europe with his tiny drum kit, and years of touring/ recording with the north american roots trio Groanbox. Based in the English countryside of Kent for ten years, Paul worked as a record producer for Smugglers Records, was the musical director for the vaudevillian theatre collective The Private Widdle Social Club, and kept active in the local and London blues scenes. His education continues.
The band’s name “My Sweet Patootie” is a slang term of endearment which became popular in the 1920s meaning a “hot dame” or a “sassy sweetheart”. Several ragtime titles from the jazz-age reference the expression, as do the lyrics of “Everybody Loves My Baby” (1924) by Spencer Williams and Jack Palmer. More significantly for Young and Swannell is “Sweet Patootie Blues” (1928) by Arthur “Blind” Blake, who was well known for his complex and intricate finger picking. The name was chosen to capture the vintage flavour of their music as well as the satirical edge in much of their song writing.
MSP released their third album “Good Day” in May of 2013, their first full length album as a trio. Peter Cowley’s review in FATEA magazine describes it as “infectious good humour and superb playing and singing, a delightful combination of jazzy guitar, Hot Club violin, luscious strings and horns and harmony vocals”. The CD was produced, arranged, engineered and mastered by Young & Swannell at their own Nowheresville Studio located in an historic one-room school house near Meaford, Ontario. “Good Day” is their most ambitious project to date and features each member’s skills as multi-instrumentalists, yet still remains true to their live sound as a trio. Other recordings are Patootified!”(2010, self produced) and “Nowheresville” (2008, produced by Canadian gospel-blues legend Ken Whiteley).
The trio has performed thousands of shows including theatres, festivals and clubs in Canada (Ontario, Manitoba and British Colombia), the United States from the eastern Seaboard to the Midwest, and the United Kingdom. My Sweet Patootie is played regularly on CBC, NPR, and BBC Radio. They have performed live-to-air concerts on; the nationally-syndicated WFMT “Folkstage” in Chicago, IL; WVBR’s “Bound for Glory” in Ithaca, NY; and BBC’s “The Drift” in Blackburn, Lancashire.
In 2014 My Sweet Patootie performed at the Mariposa Folk Festival and were guest artists with the Georgian Bay Symphony, performing orchestrated versions of their original songs. In 2015 they launched their fifth 2 month-long tour of England and Scotland and their eighth North American tour.
My Sweet Patootie Website
My Sweet Patootie Facebook
My Sweet Patootie Twitter
My Sweet Patootie Photos by Wayne Simpson
A critically acclaimed singer, fiddler, actor, musician, Alicia Toner has been wowing audiences with her diverse skill set for years. Classically trained in violin and voice with a diploma in Music Theatre-Performance, this unique performerʼs journey has taken her all over Canada and to several European countries.
Born and raised in Fredericton, NB, she caught the performing bug early, touring with the New Brunswick Youth Orchestra, with whom she played Carnegie Hall, and singing/ playing fiddle in the Celtic/folk quartet HATband. Since moving to Toronto 10 years ago and studying Music Theatre, Alicia has appeared in over 30 productions across Canada and Europe including the Dora Award Winning production of Assassins(TIFT/Birdland) and the hit musical Once(Mirvish) that brought home many Doras and much critical acclaim. For the last four years, she has been a staple of the Charlottetown Festival, lending her incredibly versatile voice to roles such as Cinderella in Cinderella, as well as many featured vocalist roles. Most recently, she was seen in the wildly successful new Canadian Musical The Chasse Galerie.
An East Coaster at heart, Alicia felt the pull of the Maritimes and, in 2014, made Charlottetown her home. Since then, she has shifted her attention to her first love; music. In June of 2015, Alicia went into the studio with Stuart Cameron, Peter Fusco and Blake Manning to record her first four track EP. The following Spring, with the help of FACTOR Canada, she completed her full-length debut album “I Learned the Hard Way” to be released this June, 2017.
Alicia Toner Website
Alicia Toner Facebook
Alicia Toner Twitter
Opening Act: Brontae Hunter
Desboro Music Hall 2017 Concert Series
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
James Hill & Anne Janelle
Four strings and a favourite chocolate bar: that’s all James Hill – “possibly the best ukulele player in the world” (Waikato Times) – and Anne Janelle – “a cellist of true beauty” (Ottawa Citizen) – had in common when they first met. It was more than enough. Today, they’re an award-winning, “utterly world-class” singer-songwriter-ukulele-cello duo (Paul Symes, The Blacksheep Inn). It’s true: opposites attract. James grew up playing folk, jazz and blues on his ukulele while Anne was exclusively a classical cellist. But the pair’s differences quickly became their biggest asset. The uke is high, the cello is low; the uke plays short notes, the cello long bow strokes; the uke is all about strumming while the cello radiates melody. Like shadows and light in an old photograph, these contrasts are complementary. “We’re like a pair of dancers who can’t step on each other’s feet,” jokes James. Flash back to 2008. Anne was working on her Master’s degree in cello performance at the University of Ottawa while James was wowing crowds with his ukulele wizardry at festivals across North America, on a mission “to prove beyond the shadow of a doubt that in the right hands the uke can be a formidable axe” (Ann Arbor News). And then, one email changed the course of their musical lives. James and Anne were selected to record a track for a compilation album called Classical Ukulele for release in Japan. “If it weren’t for that recording project,” confides Anne, “I don’t think we ever would have started playing together. It just wouldn’t have occurred to us.” Often the most obvious thing is the thing that’s most easily overlooked. “We chose Schubert’s Ave Maria and arranged it for ukulele and cello. We recorded it in a tiny practise cubicle at the university!” The result? “Absolutely brilliant” (The Folk Diary). Naturally the next step was to release a duo album and, so, True Love Don’t Weep was born. The album garnered a Canadian Folk Music Award for Best Traditional Album of the Year in 2009. A mixture of traditional tunes with “fresh vitality” (Country Music People) and, for the first time, original songs, True Love Don’t Weep showcased the duo’s ability “to capture the soul of a song.” (Folk World). By this time, Anne had completed her degree and the pair were performing regularly, bringing their “instinctive musical interaction and contagious enthusiasm” (Ottawa Citizen) to audiences across five continents. Since True Love Don’t Weep, James and Anne have each released two solo albums each (James’ Man with a Love Song and The Old Silo; Anne’s Beauty Remains and So Long at the Fair) and toured in over 15 countries, making their mark not only as accomplished instrumentalists but also as some of the finest songwriters of their generation. 2016 marks the return of the duo in full force. “We walked our separate musical paths for a while, but I think we both came to realize, each in our own way, that the duo is our strongest musical offering. There is passion, there is diversity, there are many levels with which an audience can engage with our music when it’s not one or the other but both of us.” reveals Anne. Together, James and Anne craft a sound that is intricate, enchanting and engaging: “a crystal clear sound filled with warmth” (Bob Mersereau, CBC). In concert, James is “a dazzling performer with a genial, low-key sense of humour” (Edmonton Journal) and Anne brings her “gorgeous syrupy voice” (Acoustic Magazine) to songs that are “inventive, entertaining, beautifully written and brilliantly performed” (R2 Magazine). In short, a night out with James Hill & Anne Janelle is “the perfect evening of tunes, stories and musical virtuosity” (Wellington Dominion-Post).
James & Anne Website
James & Anne Facebook
James & Anne Twitter
James and Anne Photos by Ed Boulter Photography
Brontae Hunter
Brontae Hunter is a performing artist who currently lives in Stratford, Ontario. Although she concentrates on acting, she is passionate about the live arts and what they bring to our quickly evolving culture. Previous projects she is most proud of include directing Innocence Lost: a play about Steven Truscott, producing and performing in The Women of Broadway and Beyond in Stratford’s factory 163, playing at Summerfolk along with the youth discoveries, and curating the performance collective For Our Stolen Sisters to raise funds and awareness for the Missing and Murdered Indigenous Woman crisis. In the fall, she plans to attend a conservatory style acting program. She looks forward to pursuing a career, in hopes of enriching the lives of others and starting important conversations through the medium of the performing arts. Check out her video and an original song on Facebook
Please join us for a Winter Chamber Music Concert. We have always thought the acoustics in the Hall would be perfect for a small quartet. Interro Quartet is a string quartet featuring violin, viola and cello.
Interro Quartet combines passionate performances with a curiosity to explore new sounds and venues in chamber music. The group’s repertoire includes works of classical music giants, as well as new compositions by emerging and established Canadian composers. Featuring award-winning graduates of University of Toronto, the Interro Quartet includes violinists Adam Despinic and Steve Koh, violist Maxime Despax, and cellist Sebastian Ostertag.
The mission of the Interro Quartet is not only to make quartet music accessible to those who seek it but also to broaden the spectrum of audiences through diverse programming. To complement this mission, members of the Interro Quartet are also avid educators and clinicians, dedicated to supporting education programs that encourage new ways for artists and listeners to share, experience, and incorporate chamber music into their daily lives.
Interro Quartet Website
Interro Quartet Facebook
Interro Quartet Instagram
Individual bios:
Adam Despinic, violin
Steve Koh, violin
Maxime Despax, viola
Sebastian Ostertag, cello
Opening Act: Madison Galloway
Desboro Music Hall 2018 Concert Series
**Please note this is a Friday concert (Friday April 20)**
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Limited Advance: $20, Regular: $25
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
THE O’PEARS
The O’Pears are a Toronto-based contemporary folk trio made up of Lydia Persaud, Jill Harris and Meg Contini, three songwriters who weave stories that stir the spirit and capture the timeless character of folk music. Like Those Nights, their debut album, captures soaring harmonies and a seamless blend, evoking the profound intimacy of Nick Drake, the sister-like blend of The Staves and the dynamic harmony of Crosby, Stills, and Nash. Live performances turn the loudest bar into the warmest house concert, with their endearing, unabashed personalities balancing the intimate sincerity of the songs. They recently performed to high acclaim at festivals such as Summerfolk, Great Heart Festival, Lunenburg Folk Harbour Festival, garnered radio play across Canada, including CBC, and have been featured live with Royal Wood, Good Lovelies, Michelle Willis, and Coco Love Alcorn. Each band member a distinctly talented musician with a stand-alone voice, style, and stage presence, when these three come together it is breathtaking. A striking mix of tight a cappella and rootsy instrumentation, Like Those Nights explores lessons learned about love and loss through the eyes and hearts of young Canadian storytellers. The O’Pears continue to bring a strong, honest voice to the modern female perspective.
The O’Pears Website
The O’Pears Facebook
The O’Pears Instagram
The O’Pears Twitter
MADISON GALLOWAY
Born and raised in small town Fergus, Ontario, 18-year old Madison Galloway is a driven and dynamic musician and singer-songwriter with a unique approach to her blend of folk, rock, and blues.
At 15, Madison set out to translate her youthfulness and energy into fresh hooks and appealing melodies with her debut EP “Who Knows Where” featuring five of her original songs that flirt with country influences, while retaining Madison’s signature style and direct attitude.
Madison takes the stage with guitar, harmonica, and ukulele performing solo, as part of the duo Fork n’ Harp, or accompanied by her band, The Mud Guppies. She has over 160 shows under her belt, having shared the stage with renowned Canadian artists such as 54-40, The Sadies, Alysha Brilla, and Coco Love Alcorn. She captures the ears and hearts of her audience with a performance that is riveting for its energy; imagine Janis Joplin jamming with Neil Young while Joni Mitchell looks over proudly.
Madison Galloway Website
Madison Galloway Facebook
Madison Galloway Instagram
Madison Galloway Twitter
Madison Galloway YouTube
Opening Act: David Stone
Desboro Music Hall 2018 Concert Series
All Ages
Doors Open: 7pm, Music Starts: 7:30pm
Tickets:Regular: $25
CITIZEN JANE
DYNAMIC CHAMBER FOLK-POP DUO, CITIZEN JANE, PUSHES BOUNDARIES FOR STRING INSTRUMENTS IN POPULAR MUSIC.
CITIZEN JANE is a Canadian folk-pop duo that lovingly crafts songs about our society’s potential to evolve in the current political climate (though the occasional love song is inevitable). Percussive and lyrical bowed strings marry with rhythmically driven guitar and powerful, interwoven vocal harmonies to create a sound that is two parts daydream; one part grunge.
The duo’s upcoming album, High Tide (June 2019), infuses their organic folk sound with subtle electronic flavours, colouring traditional influences with a contemporary pop aesthetic.
Hailed a “delight” by Folk Radio UK, Reenie and Lea spark a uniquely intimate connection with all audiences, and love including layered sing-alongs in their live performances.
Their debut album, In the Storm, was released in the fall of 2017, to exciting reviews:”exquisitely performed… an accomplished chamber folk-pop album of grace and elegance”
– Folk Radio UK
“diverse and multifaceted”
– Curve Magazine
“In the Storm illustrates an effortless take on folk-style music. Their honest poetry and musicianship… makes for brilliant artistry.”
– Permanent Rain Press
The duo consists of married couple Reenie Perkovic (vocals, guitar, mandolin) and Lea Kirstein (viola, cello, vocals), who met while studying classical music on the west coast. The ladies have since made a home in Toronto’s vibrant music scene, while continually touring across Canada and the States, with upcoming tours in Europe.
Reenie grew up in the Toronto area, after her family escaped the civil war in her birthplace, Sarajevo, Bosnia. She went west to study percussion and composition at UVic, where she wrote contemporary classical works that were read by the Victoria Symphony. While studying, she continued to play guitar and lead pop bands, touring locally and playing festivals. Reenie was a semi-finalist in the 2016 UK Songwriting Contest, and has released 3 solo albums. She has opened for Juno-nominated Alysha Brilla, and Annabelle Chvostek (Wailin’ Jennys).
Lea is an acclaimed violist and fiddler, who grew up in Victoria, BC, where she studied viola and music education at UVic. Classical musician by day and fiddler by night, Lea discovered new ways of melding the two styles into one. Her passion for these genres took her across Canada & the U.S. with the Folk Arts Quartet. She has recorded with Juno-nominated artists Oliver Schroer and Teresa Doyle.
The duo is passionate about building community & education, and frequently offers workshops at schools, camps, and festivals.
Citizen Jane Website
Citizen Jane Facebook
Citizen Jane Twitter
Citizen Jane Instagram
DAVID STONE
David Stone is a Canadian singer/songwriter and musician, born and raised on the shores of Georgian Bay, Ontario.
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“David Stone’s songs are carefully written and could easily stand alone as poetry. The fact that he can accompany them with strong melodies that lend themselves to sing-alongs, a voice just this side of gravelly, and delicate guitar work when the occasion calls for it makes Stone a quadruple-threat.” – Rachel Cholst (Adobe and Teardrops).