Events

Main Act: My Sweet Patootie

Opening Act: Alicia Toner

Desboro Music Hall 2017 Concert Series

All Ages
Doors Open: 7pm, Music Starts: 7:30pm

Buy Tickets

Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)

*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance tickets)

My Sweet Patootie is contemporary roots and ragtime at its best; bringing tight harmonies, monstrous guitar, sizzling fiddle and percussion together in one perfect package. Founded in 2007 by Canadian Folk Music Award winners Sandra Swannell and Terry Young, the trio has a growing international reputation. From original swing to funky fiddle-tune arrangements to exquisite ballads, they deliver a must-see show that Driftwood Magazine describes as “two parts exemplary musicianship, one part vaudeville comedy”.

Their vintage-style song writing is rooted in folk, americana and jazz; heavily influenced by the likes of Chet Atkins, Lenny Breau, Les Paul & Mary Ford and the Andrews Sisters. Throw in a penchant for light-hearted satire and their love of artists like Patsy Cline and Hank Williams and you get a sound that Young likes to call “Green Acres for the New Millennium”.

Terry Young is described by Penguin Eggs as an “acoustic guitar god”.  BBC critic James Harrox calls his playing “virtuosic”, while FATEA magazine describes it as “jaw dropping”. He has taught advanced finger-style guitar clinics and has written about his technique for Chicago’s Plank Road Folk Music Society Magazine. He is a talented multi-instrumentalist who toured from 1999 – 2009 with the group Tanglefoot; performing on guitar, mandolin, banjo and pennywhistle. Terry is a classically trained singer and holds a Bachelor of Music from the University of Western Ontario.

Sandra Swannell is a classically trained violinist/ violist, but her style owes much more to the influences of Joe Venuti and Stephane Grappelli. Her diverse musical background ranges from recording with Canada’s legendary Stompin’ Tom Connors to writing a series of musical sketches for string orchestra. She was the principal violist of the Georgian Bay Symphony and fronted the Celtic art-rock band The Shards before joining the group Tanglefoot in 2005. Sandra has taught violin/ viola clinics for festivals, schools, community orchestras for many years as well as her own private studio.

With the departure of group’s original drummer Bradford Nowak in 2015, My Sweet Patootie became a truly international band with Welsh percussionist Anthony Thickett joining for UK tours, and Canadian Paul Clifford for North American tours.

Paul Clifford is a drummer, percussionist, songwriter and producer now based in Ontario. Musically growing up on the west coast of Canada, Paul played in various jazz/ blues bands, theatre productions, reggae bands, and toured/ recorded with the Vancouver folk-roots ensemble The Be Good Tanyas. Music education includes the many pilgrimages to New Orleans, Cuba, jazz studies on Vancouver Island, busking the streets of Europe with his tiny drum kit, and years of touring/ recording with the north american roots trio Groanbox. Based in the English countryside of Kent for ten years, Paul worked as a record producer for Smugglers Records, was the musical director for the vaudevillian theatre collective The Private Widdle Social Club, and kept active in the local and London blues scenes. His education continues.

The band’s name “My Sweet Patootie” is a slang term of endearment which became popular in the 1920s meaning a “hot dame” or a “sassy sweetheart”. Several ragtime titles from the jazz-age reference the expression, as do the lyrics of “Everybody Loves My Baby” (1924) by Spencer Williams and Jack Palmer. More significantly for Young and Swannell is “Sweet Patootie Blues” (1928) by Arthur “Blind” Blake, who was well known for his complex and intricate finger picking. The name was chosen to capture the vintage flavour of their music as well as the satirical edge in much of their song writing.

MSP released their third album “Good Day” in May of 2013, their first full length album as a trio. Peter Cowley’s review in FATEA magazine describes it as “infectious good humour and superb playing and singing, a delightful combination of jazzy guitar, Hot Club violin, luscious strings and horns and harmony vocals”. The CD was produced, arranged, engineered and mastered by Young & Swannell at their own Nowheresville Studio located in an historic one-room school house near Meaford, Ontario. “Good Day” is their most ambitious project to date and features each member’s skills as multi-instrumentalists, yet still remains true to their live sound as a trio. Other recordings are Patootified!”(2010, self produced) and “Nowheresville” (2008, produced by Canadian gospel-blues legend Ken Whiteley).

The trio has performed thousands of shows including theatres, festivals and clubs in Canada (Ontario, Manitoba and British Colombia), the United States from the eastern Seaboard to the Midwest, and the United Kingdom. My Sweet Patootie is played regularly on CBC, NPR, and BBC Radio. They have performed live-to-air concerts on; the nationally-syndicated WFMT “Folkstage” in Chicago, IL; WVBR’s “Bound for Glory” in Ithaca, NY; and BBC’s “The Drift” in Blackburn, Lancashire.

In 2014 My Sweet Patootie performed at the Mariposa Folk Festival and were guest artists with the Georgian Bay Symphony, performing orchestrated versions of their original songs. In 2015 they launched their fifth 2 month-long tour of England and Scotland and their eighth North American tour.

My Sweet Patootie Website
My Sweet Patootie Facebook
My Sweet Patootie Twitter

My Sweet Patootie Photos by Wayne Simpson

A critically acclaimed singer, fiddler, actor, musician, Alicia Toner has been wowing audiences with her diverse skill set for years. Classically trained in violin and voice with a diploma in Music Theatre-Performance, this unique performerʼs journey has taken her all over Canada and to several European countries.

Born and raised in Fredericton, NB, she caught the performing bug early, touring with the New Brunswick Youth Orchestra, with whom she played Carnegie Hall, and singing/ playing fiddle in the Celtic/folk quartet HATband. Since moving to Toronto 10 years ago and studying Music Theatre, Alicia has appeared in over 30 productions across Canada and Europe including the Dora Award Winning production of Assassins(TIFT/Birdland) and the hit musical Once(Mirvish) that brought home many Doras and much critical acclaim. For the last four years, she has been a staple of the Charlottetown Festival, lending her incredibly versatile voice to roles such as Cinderella in Cinderella, as well as many featured vocalist roles. Most recently, she was seen in the wildly successful new Canadian Musical The Chasse Galerie.

An East Coaster at heart, Alicia felt the pull of the Maritimes and, in 2014, made Charlottetown her home. Since then, she has shifted her attention to her first love; music. In June of 2015, Alicia went into the studio with Stuart Cameron, Peter Fusco and Blake Manning to record her first four track EP. The following Spring, with the help of FACTOR Canada, she completed her full-length debut album “I Learned the Hard Way” to be released this June, 2017.
Alicia Toner Website
Alicia Toner Facebook
Alicia Toner Twitter

We welcome the Harmony B’s for our Canada Day Celebration at Desboro Music Hall.  It all happens between the Strawberry Supper and the Fireworks.  PWYC (Pay What You Can).  We’ll have lots happening:

~ Join us for a little Open Mic between sets from 7 – 8pm, 8:30 – 9:00pm-ish, 9:30 – 10pm-ish.  We’ll have a guitar and piano.  You bring your singing voice and songs or whatever you want to perform.  Please sign up when you arrive.

~ The Harmony B’s play at 8pm & 9pm and the dance floor will be open.

~ Our Concession Stand will be open for snacks and drinks.

HAPPY 150th CANADA!

Opening Act: Carter and Ben

Desboro Music Hall 2017 Concert Series

All Ages Doors Open: 7pm, Music Starts: 7:30pm

Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)

*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)

The Redhill Valleys

The Redhill Valleys are an original 3-piece Folk/Rock group from Hamilton, Ontario. Rooted by their influences in southern rock, acoustic Americana and soul, the newly formed trio are forging a musical path all their own. The collaboration of guitarist Danielle Beaudin, bassist Chelsea McWilliams and drummer Tim Allard is built upon a common dedication to the craft of songwriting, unifying the poetic ease of their lyrics with unforgettable melodies, harmonies and guitar riffs.

The path to now began when bassist Chelsea McWilliams and guitarist Danielle Beaudin hit the open road for Nashville, Tennessee. They collaborated on their newly developed material and it wasn’t long before the pair found their rhythm. Drummer Tim Allard joined shortly after their return from the Music City, and it became undeniable that something unique was under way as their individual sounds came together as one. They didn’t know it yet, but this was the beginning of The Redhill Valleys.

The trio dug their heels in over the following year,  polishing their live material and playing the local circuit. Songs worthy of a full-length album were quickly coming to life, and a curious hum among the Hamilton music scene was building around their folk, roots, and rock inspired sound. Their collaborative influences brought catchy country choruses, as heard on their new single titled “Wrong Way Turns Out Right”, a Canadiana inspired folk ballad called  “Parry Sound”, and unapologetic toe-tappin’ rock via tunes such as “You Can’t Be Alone” and “Ragged and Run Down”. Their set-list crossed genres and touched on the hearts of true music lovers.

After a successful fundraiser, the group was able to raise money to begin the recording process. Their debut album was recorded at Westmoreland Recording Studios in Hamilton, Ontario with producer Carl Jennings. The 12-tracks feature McWilliams, Beaudin and Allard trading off lead vocals, which leads the listener on a multifaceted and deeply rich journey. In the studio, the trio honed in on their respected and multi-instrumental abilities to fine tune and translate the energy of their live performances into the record. With the help of producer Jennings, their sound became distinct and the songs unforgettable.

Released on April 26th 2016, the album is now available for purchase via The Redhill Valleys store and download on iTunes and Bandcamp, and streaming on SoundCloud, Spotify, Apple Music and more!

Redhill Valleys Website
Redhill Valleys Facebook
Redhill Valleys Twitter
Redhill Valleys Instagram

Carter and Ben

This duo is known to captivate their audiences with their dexterity, sincerity, and organic playing style. They take the defining aspects of blues and folk and approach them from different angles resulting in a fresh interpretation of two great genres. Their songwriting has been described as thoughtful, soulful, engaging.

In August of 2016, Carter Rolland and Ben Turcotte released their debut album “Basement Folk”.

Carter and Ben Facebook

Carter and Ben Instagram

Please join us for a Winter Chamber Music Concert.  We have always thought the acoustics in the Hall would be perfect for a small quartet.  Interro Quartet is a string quartet featuring violin, viola and cello.

Interro Quartet combines passionate performances with a curiosity to explore new sounds and venues in chamber music. The group’s repertoire includes works of classical music giants, as well as new compositions by emerging and established Canadian composers. Featuring award-winning graduates of University of Toronto, the Interro Quartet includes violinists Adam Despinic and Steve Koh, violist Maxime Despax, and cellist Sebastian Ostertag.

The mission of the Interro Quartet is not only to make quartet music accessible to those who seek it but also to broaden the spectrum of audiences through diverse programming. To complement this mission, members of the Interro Quartet are also avid educators and clinicians, dedicated to supporting education programs that encourage new ways for artists and listeners to share, experience, and incorporate chamber music into their daily lives.

Interro Quartet Website
Interro Quartet Facebook
Interro Quartet Instagram

Individual bios:
Adam Despinic, violin
Steve Koh, violin
Maxime Despax, viola
Sebastian Ostertag, cello

Desboro Music Hall 2018 Concert Series

All Ages Doors Open: 7pm, Music Starts: 7:30pm

Tickets: Limited Advance: $20, Regular: $25

*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)

PIPER HAYES

Piper Hayes is a Canadian folk pop singer-songwriter and social activist based in Hamilton, Ontario. She has toured her original music extensively across North America, Europe, the U.K., and Nepal. She teaches workshops on mental health, vocal empowerment, and songwriting all over the world. She often teams up with the Canadian Mental Health Association, using contact education to reduce stigma around mental illness. She has released two EPs, a live album and most recently a full-length album to much critical acclaim. She is a two time nominee of the Ontario Arts Council’s Colleen Peterson Songwriting Award in 2016 and 2017. Nowadays she performs, tours and writes with her partner Carson Ritcey-Thorpe. On December 8, 2017 Piper released her debut full-length album ‘Piper & Carson’, which is designed to be listened to start to finish. It is a compilation of intentioned tracks; a reflection of the couple’s last few years; and a moment in time. Recorded live off the floor at Thorpe’s Organics and produced by Chris Bartos.

Piper Hayes Website
Piper Hayes Facebook
Piper Hayes Instagram
Piper Hayes Twitter

PAT MALONEY

A true red and white travelling songwriter, Pat Maloney has performed a thousand times in the last few years all over Canada, the United Kingdom and the United States. He’s a casual strummer who sings in a rich baritone, stomping away and whistling like no other. Three full length albums deep, Pat’s catalogue is diverse in character & feel. A committed genre hopper, his music is inclusive and free of pretension. The one thing his songs have in common is that they all tell stories. Real stories, with real heart and a healthy sense of humour. His favourite bartender once said his voice makes her want to sip a nice bourbon and fall in love. He told her he would add that to his next bio.

Pat Maloney Website
Pat Maloney Facebook
Pat Maloney Instagram
Pat Maloney Twitter

JESSICA PEARSON & THE EAST WIND

After their first international tour of Ireland, release of their Debut EP ‘Grave and Garden Songs’ in July 2017 and summer tour across Ontario, Jessica Pearson and the East Wind show no sign of slowing down. This Folk Canadiana Trio from Ottawa have since taken the stage at JunoFest, RBC’s Bluesfest and Manitoulin Country Festival as well as played with Hillsburn, the East Pointers, Murder Murder and Ten Strings and a Goat Skin! Jessica Pearson and the East wind’s music infuses Americana and Celtic sounds into their folk roots story telling.

Recently signed with Willow Sound Records, Jessica Pearson and the East Wind’s dynamic live shows take you on a journey with heartwarming melodies, spirited story telling and haunting three part harmonies! The band is known for its strong audience engagement during shows and magnetic personality.

Jessica Pearson & the East Wind Website
Jessica Pearson & the East Wind Facebook
Jessica Pearson & the East Wind Instagram
Jessica Pearson & the East Wind Twitter

Opening Act: Graham Nicholas

Desboro Music Hall 2018 Concert Series

All Ages Doors Open: 7pm, Music Starts: 7:30pm

Tickets: Limited Advance: $20, Regular: $25

*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)

LONESOME ACE STRINGBAND

The Lonesome Ace Stringband brings grit, skill and abandon to old-time, Appalachian folk songs and fiddle/banjo tunes. The members are Chris Coole on banjo, John Showman on fiddle and Max Heineman on bass. Together they bring a deep respect for the roots of the music, a keen sense of innovation to the performance and material, and a passion for the sound that transcends both. 2018 will see the band release it’s 3rd album “When the Sun Comes Up”, which takes a step away from the traditional repertoire of the first two recordings and features the songwriting of all three members. Since they’re inception in 2008, LAS have developed the kind of instinctual rapport, that only comes from seasoned musicians logging many hundreds of playing hours together.  This is old-time music for today’s old soul.

Lonesome Ace Stringband Website

GRAHAM NICHOLAS

With the release of his new album, Dial Tones and Pretty Notes, Graham Nicholas has created an emotionally resonant world inhabited by troubled and love-hungry characters. Never alienated for their insecurities, his characters are instead respected by the empathetic voice of an honest songwriter. The album finds Nicholas honing in on his concise form of storytelling and refining his irreverent sense of humour. Coupling the narratives with a backing band that harkens back to the likes of The Heartbreakers, Travelling Wilburys and The Byrds, Nicholas’ songs have found the right balance of warmth and grit. It was recorded and produced by Graham’s longtime collaborator Aaron Comeau (Skydiggers, Al Tuck) at his studio The Trailer. Not only has Graham Nicholas maintained an extensive and country crossing touring schedule, he has also shared the stage with the like of Ron Hynes, Catherine Maclellan, Old man Luedecke, Del Barber and Daniel Romano.

Graham Nicholas Website
Graham Nicholas Facebook

Main Act: The Unseen Strangers

Opening Act: David Lum

Desboro Music Hall 2020 Concert Series
All Ages
Doors Open: 6:30pm, Music Starts: 7:30pm
Tickets:Regular: $25

THE UNSEEN STRANGERS

The Unseen Strangers have ambitiously cultivated a musical identity shaped by good old-fashioned bluegrass, the limitless barrage of contemporary musical influences, and a curious sense of humor.

Newgrass ambassadors, The Unseen Strangers favor innovation over convention.  For their newest album, Stranger Places (April 1^st, 2016), the band challenged the limits of what they are capable of, exploring the gamut of what can be done with strings. The result is a collection of fun, stunning songs featuring inimitable instrumental performances.

The seven-part instrumental kick off “Ice Jam” launches the listener on an expansive journey through nine original songs, including the three-piece horn section funkiness of “Old City Jail” and the psychedelic newgrass epic “Square Trance”. The Strangers also pay homage to their bluegrass roots on “Wicked Lover” and the freight train inspired barnburner “New Railroad Blues”.

For Stranger Places, the band simplified their approach to the studio with quick, concise live off the floor sessions. The band teamed up with Toronto, ON based engineer and producer Andrew Collins (Creaking Tree String Quartet; Foggy Hogtown Boys), recording the album over several months in 2015.

The band was started in 2008 by Adam Shier, songwriter, multi-instrumentalist, and driving force behind The Unseen Strangers. Adam fell in love with the sound of Bluegrass while attending college in Halifax and was soon recruiting his best friends to be in a Bluegrass band. The band quickly recorded an album and were excited to win a Music Nova Scotia Award in 2009 for Bluegrass/Country Album of the Year. The group has grown immensely from these small beginnings but a similar goal remains, to play new energetic bluegrass music with respect to the incredible lineage of its tradition.

The Strangers approach to bluegrass is open-ended yet inclusive; they’ve been on the roster for several forward thinking festivals, including Delfest (hosted by bluegrass legend Del Mccoury), where they won the band competition in 2013. The Unseen Strangers continue to add to their diverse festival resume while consistently developing their sound both onstage and in the studio.

“They have music that engages all the senses and leaves listeners longing for more.”

~ Bluegrass Unlimited Magazine 

“Stellar mandolin, guitar and banjo shredding that sounds straight out of Tennessee”

~ Exclaim! – ON, CANADA

“These guys are good”

~ CBC Radio – 

“The Unseen Strangers aren’t pretending to be cowboys. They’ll interrupt themselves for an instrumental breakdown of I Like To Move It…”

~ The Globe and Mail  – ON, CANADA

“Unseen Strangers pushes the limits of stringed jam-band wildness to new heights. ”

~ The Aquarian – NJ, USA

“The expressiveness heard in their lovely ensemble brings a natural quality to their sound, forming a honest and genuine relationship with the listener.”

~ KAOS Radio – WA, USA

“At their most creative, the music is nearly irresistible, leaving you wondering what’s next and always coming through with a new turn to relish.”

~ Grayowl Point 

“Interesting Music”

~ Pete Wernick – “Dr. Banjo”, Hot Rize

“Bluegrass Band Competition Winners 2013”

~ Delfest – MD, USA

“Country/Bluegrass Song of the Year 2012”

~ International Acoustic Music Awards