Main Act: My Sweet Patootie
Opening Act: Alicia Toner
Desboro Music Hall 2017 Concert Series
All Ages
Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Advance: $20 ($17.70 +HST), Regular: $25 ($22.12 +HST)
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance tickets)
My Sweet Patootie is contemporary roots and ragtime at its best; bringing tight harmonies, monstrous guitar, sizzling fiddle and percussion together in one perfect package. Founded in 2007 by Canadian Folk Music Award winners Sandra Swannell and Terry Young, the trio has a growing international reputation. From original swing to funky fiddle-tune arrangements to exquisite ballads, they deliver a must-see show that Driftwood Magazine describes as “two parts exemplary musicianship, one part vaudeville comedy”.
Their vintage-style song writing is rooted in folk, americana and jazz; heavily influenced by the likes of Chet Atkins, Lenny Breau, Les Paul & Mary Ford and the Andrews Sisters. Throw in a penchant for light-hearted satire and their love of artists like Patsy Cline and Hank Williams and you get a sound that Young likes to call “Green Acres for the New Millennium”.
Terry Young is described by Penguin Eggs as an “acoustic guitar god”. BBC critic James Harrox calls his playing “virtuosic”, while FATEA magazine describes it as “jaw dropping”. He has taught advanced finger-style guitar clinics and has written about his technique for Chicago’s Plank Road Folk Music Society Magazine. He is a talented multi-instrumentalist who toured from 1999 – 2009 with the group Tanglefoot; performing on guitar, mandolin, banjo and pennywhistle. Terry is a classically trained singer and holds a Bachelor of Music from the University of Western Ontario.
Sandra Swannell is a classically trained violinist/ violist, but her style owes much more to the influences of Joe Venuti and Stephane Grappelli. Her diverse musical background ranges from recording with Canada’s legendary Stompin’ Tom Connors to writing a series of musical sketches for string orchestra. She was the principal violist of the Georgian Bay Symphony and fronted the Celtic art-rock band The Shards before joining the group Tanglefoot in 2005. Sandra has taught violin/ viola clinics for festivals, schools, community orchestras for many years as well as her own private studio.
With the departure of group’s original drummer Bradford Nowak in 2015, My Sweet Patootie became a truly international band with Welsh percussionist Anthony Thickett joining for UK tours, and Canadian Paul Clifford for North American tours.
Paul Clifford is a drummer, percussionist, songwriter and producer now based in Ontario. Musically growing up on the west coast of Canada, Paul played in various jazz/ blues bands, theatre productions, reggae bands, and toured/ recorded with the Vancouver folk-roots ensemble The Be Good Tanyas. Music education includes the many pilgrimages to New Orleans, Cuba, jazz studies on Vancouver Island, busking the streets of Europe with his tiny drum kit, and years of touring/ recording with the north american roots trio Groanbox. Based in the English countryside of Kent for ten years, Paul worked as a record producer for Smugglers Records, was the musical director for the vaudevillian theatre collective The Private Widdle Social Club, and kept active in the local and London blues scenes. His education continues.
The band’s name “My Sweet Patootie” is a slang term of endearment which became popular in the 1920s meaning a “hot dame” or a “sassy sweetheart”. Several ragtime titles from the jazz-age reference the expression, as do the lyrics of “Everybody Loves My Baby” (1924) by Spencer Williams and Jack Palmer. More significantly for Young and Swannell is “Sweet Patootie Blues” (1928) by Arthur “Blind” Blake, who was well known for his complex and intricate finger picking. The name was chosen to capture the vintage flavour of their music as well as the satirical edge in much of their song writing.
MSP released their third album “Good Day” in May of 2013, their first full length album as a trio. Peter Cowley’s review in FATEA magazine describes it as “infectious good humour and superb playing and singing, a delightful combination of jazzy guitar, Hot Club violin, luscious strings and horns and harmony vocals”. The CD was produced, arranged, engineered and mastered by Young & Swannell at their own Nowheresville Studio located in an historic one-room school house near Meaford, Ontario. “Good Day” is their most ambitious project to date and features each member’s skills as multi-instrumentalists, yet still remains true to their live sound as a trio. Other recordings are Patootified!”(2010, self produced) and “Nowheresville” (2008, produced by Canadian gospel-blues legend Ken Whiteley).
The trio has performed thousands of shows including theatres, festivals and clubs in Canada (Ontario, Manitoba and British Colombia), the United States from the eastern Seaboard to the Midwest, and the United Kingdom. My Sweet Patootie is played regularly on CBC, NPR, and BBC Radio. They have performed live-to-air concerts on; the nationally-syndicated WFMT “Folkstage” in Chicago, IL; WVBR’s “Bound for Glory” in Ithaca, NY; and BBC’s “The Drift” in Blackburn, Lancashire.
In 2014 My Sweet Patootie performed at the Mariposa Folk Festival and were guest artists with the Georgian Bay Symphony, performing orchestrated versions of their original songs. In 2015 they launched their fifth 2 month-long tour of England and Scotland and their eighth North American tour.
My Sweet Patootie Website
My Sweet Patootie Facebook
My Sweet Patootie Twitter
My Sweet Patootie Photos by Wayne Simpson
A critically acclaimed singer, fiddler, actor, musician, Alicia Toner has been wowing audiences with her diverse skill set for years. Classically trained in violin and voice with a diploma in Music Theatre-Performance, this unique performerʼs journey has taken her all over Canada and to several European countries.
Born and raised in Fredericton, NB, she caught the performing bug early, touring with the New Brunswick Youth Orchestra, with whom she played Carnegie Hall, and singing/ playing fiddle in the Celtic/folk quartet HATband. Since moving to Toronto 10 years ago and studying Music Theatre, Alicia has appeared in over 30 productions across Canada and Europe including the Dora Award Winning production of Assassins(TIFT/Birdland) and the hit musical Once(Mirvish) that brought home many Doras and much critical acclaim. For the last four years, she has been a staple of the Charlottetown Festival, lending her incredibly versatile voice to roles such as Cinderella in Cinderella, as well as many featured vocalist roles. Most recently, she was seen in the wildly successful new Canadian Musical The Chasse Galerie.
An East Coaster at heart, Alicia felt the pull of the Maritimes and, in 2014, made Charlottetown her home. Since then, she has shifted her attention to her first love; music. In June of 2015, Alicia went into the studio with Stuart Cameron, Peter Fusco and Blake Manning to record her first four track EP. The following Spring, with the help of FACTOR Canada, she completed her full-length debut album “I Learned the Hard Way” to be released this June, 2017.
Alicia Toner Website
Alicia Toner Facebook
Alicia Toner Twitter
Please join us for a Winter Chamber Music Concert. We have always thought the acoustics in the Hall would be perfect for a small quartet. Interro Quartet is a string quartet featuring violin, viola and cello.
Interro Quartet combines passionate performances with a curiosity to explore new sounds and venues in chamber music. The group’s repertoire includes works of classical music giants, as well as new compositions by emerging and established Canadian composers. Featuring award-winning graduates of University of Toronto, the Interro Quartet includes violinists Adam Despinic and Steve Koh, violist Maxime Despax, and cellist Sebastian Ostertag.
The mission of the Interro Quartet is not only to make quartet music accessible to those who seek it but also to broaden the spectrum of audiences through diverse programming. To complement this mission, members of the Interro Quartet are also avid educators and clinicians, dedicated to supporting education programs that encourage new ways for artists and listeners to share, experience, and incorporate chamber music into their daily lives.
Interro Quartet Website
Interro Quartet Facebook
Interro Quartet Instagram
Individual bios:
Adam Despinic, violin
Steve Koh, violin
Maxime Despax, viola
Sebastian Ostertag, cello
Opening Act: Doris Folkens
Desboro Music Hall 2018 Concert Series
**Please note this is a Friday concert (Friday June 1)**
All Ages Doors Open: 7pm, Music Starts: 7:30pm
Tickets: Limited Advance: $20, Regular: $25
*Advance tickets are only available up to the Box Office hours the weekend before the show or we run out (Note: there is a limit of 25 advance price tickets)
OVER THE MOON
Canadian roots/swing duo Over The Moon‘s Suzanne Levesque and Craig Bignell are awarding multi-instrumentalists/vocalists that met, fell in love, got married and discovered their voices blend so well together that people often tear up upon hearing them sing.
Living on a ranch in the foothills of Alberta’s Rocky Mountains, it’s inevitable there will be a strong sense of place- and the rhythms of the land when you start to make music. When the couple released their debut album, the resonances were there for all to hear. reflecting the pulse of life, lived in a territory that is both dirt-hard rugged and beautiful.
Their music is a wild ride from 40’s sounding western swing and Appalachian old-time, to cowboy blues. Simple and sweet, all of their material has a common thread that speaks of the Canadian west and on their UK release, reviews were glowing. American Roots UK saying it was “Exceptional” and Country Music People adding “There’s so much to enjoy here.” The editor of Maverick Magazine told readers “You will love this” Elmore Magazine, New York “We knew we were on to something special”
Over the Moon Website
Over the Moon Facebook
Over the Moon Twitter
Over the Moon YouTube
DORIS FOLKENS
Born in Burlington, Ontario, Doris Folkens grew up playing a piano which survived the bombing of her grandmother’s house in Hamburg during WW2. She began playing guitar- a more portable instrument- during university. After graduating and settling into a health care career, she went on to study songwriting with Berklee College of Music, where she strengthened her skills at writing songs about family and community.
Her debut, old-time inspired album is produced by Toronto’s 7x Canadian Folk Music Award winning mandolinist, Andrew Collins, and arrives Spring 2018. Her music is already receiving recognition from the Ontario music scene- she’s the 2017 recipient of Folk Music Ontario’s “Songs from the Heart- Humorous” Award. A rare singer/songwriter, the vibrant narratives of her folk songs will evoke nostalgia for who you are and where you came from.
Doris Folkens Website
Doris Folkens Facebook
Doris Folkens Instagram
Doris Folkens YouTube
Songwriters in the Round
Featuring Karen Morand, Ken Dunn and Gillian Nicola
This will be a slightly different format than our other concerts. All three musicians will be on the stage together. Each performer will tell a story and play their song before rotating to the next performer. We’ll have an hour of songs with a half hour break before another set of music. Come enjoy a fantastic evening of stories and songs.
Desboro Music Hall 2020 Concert Series
All Ages
Doors Open: 6:30pm, Music Starts: 7:30pm
Tickets:Regular: $25
KAREN MORAND
Karen Morand has roots that run deep. Born in Toronto and based in Southern Ontario, the award-winning singer-songwriter does life off the beaten path, sleeves rolled up with an eye on the eternal. Armed with feisty, powerhouse vocals, she delivers a soul-stirring show: lively, alt- folk with well-worn blues and gritty gospel on the side.
Karen radiates with energy in live performances both solo and accompanied by her acoustic trio, BOSCO (Aaron Verhulst and Benny Santoro). A graduate from the University of Windsor’s music therapy program, Karen enjoys making meaningful connections with her audience and inspiring hope. She is also a music educator, workshop instructor and music director.
Since her first studio release, ‘Carry On’ in 2012, followed by ‘I Think I’ll Lose My Mind Today’ in 2014, and Junkyard Heart in 2016, Karen has maintained an intense performance schedule throughout Ontario and most recently, touring Eastern Canada. Her first solo and most recent release, “Every Flash of Light” (2018) is an EP produced by Danny Gauthier including co-writes with Nashville songwriters Steve Hindalong (the Choir), Kelly Kessler and Linda McRae (Spirit of the West). Other collaborations include her recent pairing with internationally renowned bluesman, Manitoba Hal Brolund as bluesy gospel Americana duo, “Even the Bird Was Free.”
What some folks are saying:
“I met Karen Morand at the Ontario Council of Folk Festivals in 2010 where I was a mentor. She was just beginning her career as a singer/songwriter and I was immediately impressed by her warmth and straightforward attitude. She has made great strides since then and has just released her second recording of her own material. Her songwriting belies the amount of time she’s actually been writing and I believe she is on her way to becoming an artist who will be a force on the Canadian music scene” Linda McRae, platinum award winning musician
“Karen Morand is something of a standout in the crowded field of solo singer-songwriters. Her performances and recordings both display a careful attention to craft as well as a broad range of influences. Karen’s material demonstrates her comfort with a variety of styles and genres and her ability to create appealing melodies and lyrics.” Danny Sullivan, Artistic Director, Blue Skies Music Festival
“Songwriter Karen Morand casts power to stir the storm in your soul and part the dark clouds hovering over your heart. Karen drives the engine through songs that clang, grind and chug with bold defiance, shaken faith and cryptic warnings; breathing steam around embraces of the wounded and outcast.” Songstress and CJAM radio host Allison Brown
KEN DUNN
Over the past 30 years, singer-songwriter Ken Dunn has performed at hundreds of venues across the U.S., Canada, Mexico, and Central America, as well as recording 10 albums of original music.
He has shared stages with a number of well-known artists, including Jerry Jeff Walker, David Amram, and Canadian folk icons Valdy, Willie P. Bennett, and Garnet Rogers.
Notable performances include those at Canada’s Festival of Friends, a sold out concert at the historic Santa Ana Theatre in San Miguel, Mexico, the Central California Neil Young tribute show in Paso Robles, California, and Jerry Jeff Walker’s Festival in San Pedro, Belize.
With the intention of promoting peace, social, and environmental justice through music, Ken has also performed a number of benefit concerts, including those for Amnesty International, Biblioteca San Miguel, Playing For Change, L.A. Family Housing, and the Harry Chapin Food Bank of Southwest Florida.
GILLIAN NICOLA
Hamilton’s Gillian Nicola took an unusual route to becoming a folk/Americana singer-songwriter: trained in classical voice, Nicola spent her teens gigging in a classic rock cover band, singing Janis Joplin and Led Zeppelin before launching herself into alt-country when she began writing songs. Nicola’s music centres around her chameleonic vocals – at one moment with a hint of tobacco in her voice, the next outright rocking – strummed and finger picked guitar, and versatile, melodic songwriting. Nicola’s songs are often built around open and alternate guitar tunings that allow her to throw her music theory upbringing out the window. Nicola released her debut full-length album, Dried Flowers, on May 3, 2019. Produced by John Dinsmore, the album reached number 3 on the earshot! Folk/Roots/Blues Charts and has received CBC airplay nationwide.
Dried Flowers is “an alt-country-folk-rock masterclass in the affairs of the heart” – Hamilton Magazine.